Kill Command

fcd8861acdbf8bbb9d79dd7a098acbdfDirector: Steven Gomez. Starring:  Vanessa Kirby,  Thure Lindhardt, David Ajala. UK, 2016. Budget: $1.5 mln. IMDB: 5.7. My rating: 3/4.  Creepy sci-fi thriller about military guys and 1 cyborg vs huge rogue robots on a remote island.

– It’s like watching 1.5 hour long cut scene from some shitty video-game.
(ola_norsk)

– This is exactly what a B-movie should be like.
(InterArmaEnimSilentLeges)

– If you remember your feeling from watching the Predator for the first time – you will certainly enjoy Kill Command.
(Stasulos)

I didn’t have any kind of expectations from “Kill Command”, one more movie about the military guys vs the robots. Maybe that’s why I enjoyed it so much? Probably, but that would also diminish the movie’s quality.

Just look at this beautiful picture. It says it all. Those who still are not fully convinced, scroll below…there are more pictures.

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Do you smell death in the air? No?

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Well, now you do.

The plot. In the not so distant future, a military group is sent to an island for training. The purpose or type of training is unknown. They are accompanied by Mills (ice-cold Vanessa Kirby) – half-human, half-android, who has significant difficulties in gaining the trust of the others humans due to her ‘impure’ nature. As the unit deploys on the island, they unexpectedly lose any connection with the outer world. Soon the group encounters robotic creatures they did not expect.

The production. “Kill Command” is a debut by Steven Gomez (responsible for both directing and writing), who has built a career in visual effects. It has a budget of around $1.5 million (it was hard to find the precise info, but it’s about that), which is very low for a movie that includes massive robot fighting scenes. But it looks as great as $150 million movies. Visually, I enjoyed ”Kill Command” much more than “Passengers”. Only that is a great praise already. The location is outstanding. It’s an island with hills, deep forests and some abandoned facilities – a perfect place for a sci-fi scenario like here. The movie was shot entirely in the UK.

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Of course, technically it is still one more movie that explores the idea of a group of people going somewhere remote where they encounter something scary and unknown. But somehow ”Kill Command” still manages to be an original movie. It leaves a good aftertaste. When you watch these kind of movies, it often happens that it’s actually fun to watch, but they quickly fade out of your memory and the impression worsens as time passes. Strangely, with “Kill Commando” a reverse effect happened. What makes it stand out?

Several things. It’s quiet slowly paced. You will not see a continuous sequence of extremely quick cuts that resemble more a video clip, than a movie (hi, Michael Bay!). It somehow reminded me of the sci-fi wave of the 80-s/90-s. Even the action scenes are not that fast. You have enough time to see everything in detail and I think, it was more typical of a good old sci-fi film of 20-30 ago, than some newer stuff. In one of the interviews, Gomez said he tried to show the robots in all the detail from close distance – and he succeeded.

Kill Command” is quite a minimal movie – remember, it’s set on a tiny remote island – but what you see has great design and lots of details, starting from abandoned facilities, uniforms, weapons and, of course, robots. Reminds me of Far Cry in a way (well, except for the robots, but that’s a mino-or detail). The other thing is the location set and it’s used to a great extent. I would even dare to say that I had a feeling – pardon – that some scenes come close to being almost meditative. Maybe I am wrong. But even remote feeling like that says a lot about the impression you can get from a movie. I still remember well one of the scenes – in the light of a sunset, the soldier is on the roof of an abandoned building, aiming with his rifle somewhere faraway, waiting for the enemy. His body posture is tense. Around him you see the see, the sunset, the forests. In a “normal” low budget robot movie, that scene would last half a second, here it lasted 3 or 4 and seemed like an eternity, but in a good way. And there are some scenes like that that here and there – it’s not something straightforward, but more of something you understand later.

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The main problem of the movie comes from here too. I don’t know though if it was Gomez’ intention to film in that way  (from trailer and posters, it seems no and probably that’s why some part of audience didn’t like it that much – they didn’t see that was expected compared to how the movie was promoted). That would be interesting to know and it’s a pity that the movie did not develop more in this direction. It looks like it can’t decide whether if wants to become an action movie or something slower and deeper. The acting is quiet good, but uneven. The characters could have been developed more. You could easily find other things to criticize. But should you?

The reception. The movie has a whopping 5.7 on IMDb – totally undeserved, but 67% on RT may render some justice. I guess most IMDb bad reviews come from guys from were expecting a fact-paced action robot movie, but ”Kill Command” is better than that. Most reviews over the web are quite positive too, check out here, here and also this amazing insight here.

Worth watching? Yes! Far from being perfect, it’s a beautifully shot and richly detailed warfare movie. Tense, minimal and with its own nerve. No useless philosophizing about what makes human a human or robot a robot bla bla bla because it’d ruin the movie. Just keep in mind that it’s just not an average fact-paced sci-fi flick with humans and robots, like the recent hypnotizingly beautiful but rather soulless “Ghost in the Shell” adaptation, nor it is an arthouse film. So if you are a fan of “Terminator“, “Predator” (which reboot is coming out in 2018!) or, maybe, “Far Cry”, definitely have a look.

3/4

Event Horizon

Director: Paul W. S. Anderson. Starring: Sam Neill, Laurence Fishburne, Kathleen Quinlan. USA, 1997. Budget: $60 mln. Box office: $27 mln. IMDB: 6.7. My rating: 3/4. Sci-fi/horror/thriller in deep space.

– Where we’re going, we don’t need eyes to see.
(Dr. Weir)

– You will never be alone anymore. Now you are with me. I have beautiful things I want to show you.
(Dr. Weir’s dead wife)

Darkness, space, hell, madness and obscurity. Such a cheerful company. Welcome on board of the “Event Horizon”.

Before Paul Anderson entered the endless Resident Evil epos, he did some other notable films as well, like “Mortal Combat” and “Event Horizon”. We all know how his films look, right? I suppose almost every teenager (well, I speak mostly for boys) had a period, when he is eager to watch stuff about zombies, strange creatures, space and stuff. So what happens when these boys grow up? Some make movies, others watch them. Mostly, without being too serious about it. If there is a movie for each occasion, so for me these movies are perfect to watch late on a Friday, when the brain protests against any kind of work. Or after a late party, when you come home late but still not sleepy. But… “Event Horizon” is not exactly what you would expect from a typical Paul Anderson’s film.

It’s also has a very curious and bleeding produciton history, probably one of the best I’ve ever read together with ”The Island of Dr. Moreau”.

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Resolution

Director: Justin Benson, Aaron Moorhead. Starring: Peter Cilella, Vinny Curran, Bill Oberst Jr, Zahn McClarnon. USA, 2012. IMDB: 6.2. My rating: 4/4. Meditation about horror.

– You know why Jimi Hendrix died? He didn’t have Mike Danube and a set of handcuffs to save his life.
(Mike Danube to Chris)

”Resolution”, surprisingly, is more a movie about horror genre than being a horror itself. Just like if ”Cabin in the Woods” met David Lynch.

A directional debut by two young filmmakers, ”Resolution” tries to refresh the old genre and succeeds, being both a great story and a contemplation about the horror, cinema and itself as well. It is not pretentious though, but fun to watch, thrilling, tense and spectacular – even if you don’t care that much about its meditation about the genre. 

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Never Let Me Go

never_let_me_goDirector: Mark Romanek. Starring: Andrew Garfield, Carey Mulligan, Keira Knightley. UK, 2010. Budget: $15 million. IMDb: 7.2. My rating: 2/4. A love triangle story in a dystopian society.

– We didn’t have The Gallery in order to look into your souls. We had The Gallery to see if you had souls at all. Do you understand?
(Miss Emily)

There is something deeply weird with “Never Let Me Go”, the third feature film by Mark Romanek. Mostly, it’s the tone. Continue reading

Kong: Skull Island

kong-skull-island-posterDirector: Jordan Vogt-Roberts. Starring: Samuel L. Jackson, John Goodman, John C. Reilly, Tom Hiddleston, Brie Larson. USA, 2017. Budget: 185 million. IMDb rating: 6.9. My rating: 2.5/4. Giant gorilla vs. giant everything.

– Kong’s a pretty good king. Keeps to himself, mostly. This is his home, we’re just guests. But you don’t go into someone’s house and start dropping bombs, unless you’re picking a fight.
(John C. Reilly’s character)

It’s interesting to note once again the Hollywood’s tendency of last years to invite young indie directors for blockbuster production – Garreth Edwards/Star Wars, Colin Trevorrow/Jurassic World, James Gunn/Guardians of the Galaxy – probably hoping they will deliver a fresh breath.

And forget the bearded romantic from New Zealand, who was responsible for his own beautiful and canonical version of King-Kong. Peter Jackson, of course, was relying on the classical King-Kong story of 1933, even though with a more modern and refreshing approach. New Kong is several times bigger, stronger, more dangerous and more… boring.

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Dark Star

dark_star_ver2Director: John Carpenter. Screenplay/story: Dan O’Bannon, John Carpenter. Starring: Dan O’Bannon, Brian Narelle, Dre Pahich, Cal Kuniholm. USA, 1974. Budget: $60,000. IMDb: 6.7. My rating: 3.5/4. Odd science fiction space comedy.

– Now, Bomb, consider this next question very carefully… What is your purpose in life?
– To explode, of course.
– And you can do it only once, right?
(Doolitle convinces the bomb not to explode)

– All right, Bomb… prepare to receive new orders.
– You are false data. Therefore, I should ignore you.
(Doolitle convinces the bomb not to explode)

I must confess – I have never really liked John Carpenter. And I barely enjoy horror movies (with some notable exceptions like “The Shining”). I watched “Halloween” recently and enjoyed it at times, but if we forget for a moment its heritage, I find this cult slasher pretty mediocre. While admitting Carpenter’s immense influence, I’ve always seen most of his films made with little creativity, without that special sparkle that would lighten up everything. He is too technical in his approach, like an artisan, not an artist, who is methodically repeating similar feel and techniques in different movies. Note: I didn’t watch “Halloween”, “Escape from New York” or “The Thing” when they were released – movies that I don’t find bad, but just… pretty average in everything and with superficial characters? I’ve always felt Carpenter cares most about showing what happens to his characters, but not really the characters themselves.

But “Dark Star”, Carpenter’s and O’Bannon debut movie, made me change my mind about him. This little space comedy is like a fireworks show that you setup by yourself on a New Year’s Eve in the backyard. It’s an extravagant parody on space movies and “2001: A Space Odyssey” in particular. Fresh, well-crafted, wry and weirdly funny. Continue reading

Dead Man’s Letters

dead mans lettersDirector: Konstantin Lopushanky. Starring: Rolan Bykov, Iosif Rykliv, Viktor Mihaylov. USSR, 1986. IMDb: 7.7. My rating: 4/4. Post-apocalyptic portrait of mankind’s last days.

– The whole history of mankind is a history of a slow suicide of a living matter that by sheer accident acquired an ability to think – but that did not know what to do with this fateful ability. It could not find any better use for it than invention of the most effective ways of a total suicide.
(of of the main characters)

Endless piles of rusty metal, interminable yellow twilight, dirty radioactive puddles of mixed water and blood. And dead bodies. Dead bodies everywhere. Children, men, women. Everywhere. There is no hope here. It’s finished. There is no ”if”. The doomsday clock has moved. We are just witnessing the final decay of small group of survivors that will last several months, probably. There is not even a single hint about their survival. It’s a death rattle.

And imagine shot all of this in a Tarkovsky-like manner – the director Konstantin Lopushansky actually worked as assistant during ”Stalker” filming.

Perestroika was a crucial time for Soviet cinema as well. More and more things became allowed – the censorship started to close eyes on occasional nudity, violence, absurdism – things that were all cut ruthlessly before 1985. ”Dead Man’s Letters” and ”City Zero”, probably best examples of Perestroika cinema in the sci-fi genre, are the result and the reflection of that weird epoch, and it would be difficult to imagine them elsewhere. Continue reading