Director: François Truffaut. Starring: Oskar Werner, Julie Christie, Cyril Cusack. UK, France, USA, 1966. IMDb: 7.3. My rating: 3.5/4. Budget: $1.5 million. Dystopian science fiction.
– Well, it’s a job just like any other. Good work with lots of variety. Monday, we burn Miller; Tuesday, Tolstoy; Wednesday, Walt Whitman; Friday, Faulkner; and Saturday and Sunday, Schopenhauer and Sartre. We burn them to ashes and then burn the ashes. That’s our official motto.
– Here’s a book about lung cancer. You see, all the cigarette smokers got into a panic, so for everybody’s peace of mind, we burn it.
– These are all novels, all about people that never existed, the people that read them it makes them unhappy with their own lives. Makes them want to live in other ways they can never really be.
Truffaut’s “Fahrenheit 451” easily divided the audience in two – some praised the film for black ruthless satire mixed with poetical and sensual style, while the others blamed it for simplicity, lack of imagination and small scale. Probably most of those who have read or heard of Ray Bradbury’s famous novel imagined it differently – sharper, darker, heavier. But Truffaut, being a truly big artist, tried to blend with great imagination his own sensual style and the pressing rhythm of the novel. If you have seen “The 400 Blows”, you will surely recognize the style of the French director. Apparently, “Fahrenheit 451” is not a big movie, rather an intimate tale. It’s also is a perfect example of what happens a talented director is struggling to make a film. Truffaut was obviously not into sci-fi, and it makes “Fahrenheit 451” especially appealing. (more…)