Director: Tommy Wirkola. Starring: Noomi Rapace, Glenn Close, Willem Dafoe, Marwan Kenzari, Pal Sverre Hagen, Christian Rubeck, Cassie Clare. 2017, UK-Belgium-France-USA. Budget: unknown. Box office: $19 mln. IMDb: 6.7. My rating: 2.5/4. Dystopian sci-fi thriller about overpopulation.
“Beyond an insult to intelligence.”
“The film portrays a dystopian future where overpopulation has lead those in power to create a one child rule, with chilling justifications for abhorable acts in the name of protecting humanity.”
(denise-314 from the UK)
“Stunning Movie Exciting from the first minute.”
(Mahmoud from Egypt)
One. “What Happened to Monday” is a movie where Noomi Rapace performs 7 different roles – 7 sisters. Remember Tatiana Maslany and her multiple clone performances “Orphan Black“? It’s a tough role for any artist, so is Noomi Rapace good enough?
Two. If you ever wondered what will happen if you make a combined clone of Michael Bay & Roland Emmerich and make him become a director of a mid-budget movie, here’s your chance.
Three. Movies and plots are like jeans. The best examples look like this, solid and firm:
Think of “Children of Men“, “Ex Machina” or “Stalker“. Solid and firm.
Some others, like “Pacific Rim“, “Terminator: The Judgment Day” or “Star Wars” may have occasional plot inconsistencies, but it’s fine. They know it. We know it. It doesn’t matter. We can both get through it, still having strong orgasms watching the final result.
Other candidates, like “Armageddon” (miners learning to be astronauts? grass on the asteroid?) or “The Dark Knight Rises” (send all the police forces underground? why no! make them look perfectly clean shaven? fine!) may be pretty fucked up with plot holes and inconsistencies, but pretend like they aren’t and proudly try to masquerade them with quickly-paced action, CGI and other bollocks.
But there’s worse than that – some films (“Passengers“? Any Roland Emmerich film?) almost brag about their plot problems, proudly presenting them in-your-face as a newly discovered gem.
“What Happened to Monday” falls somewhere between the last two categories. But while Roland Emmerich’s films never take themselves too seriously, “What Happened to Monday” does.
Here’s a quick autopsy – the film starts like a “Children of Men“-wannabe, then spends some time as a “Passengers“-like whiny melodrams about family values, then finally – thanks to the unknown xenomorph God – abandons any attempts to appear smart and converts itself a pretty straightforward sci-fi thriller. The overall feeling after having watched this Netflix-distributed dystopia was like observing the monster from “Frankenstein” – it moves clumsily, sometimes makes a sincere smile, but you can clearly see that it wasn’t seamed too accurately and is an extremely artificial creation.
I may sound overly sardonic and happy to crush the movie’s
corpse body, but “What Happened to Monday” isn’t actually a bad film. There’s a lot of cool stuff going on. Seriously. The sci-fi designs are curious, like the mirror that tells your physical condition and skin problems or a self-programming punching bag.
The film has an excellent premise – how the society turns itself into a totalitarian regime state to protect the world from overpopulation. There weren’t too many films about it, in fact, and half of them are surely from the 70-s (with “Soylent Green” being the most obvious example, plus some elements from “Logan’s Run“).
The visuals are one of the films strongest points too.
It has a wonderful cast – Noomi Rapace (the original 2009 Swedish “The Girl with the Dragon Tatoo” – a very good movie, by the way; “Prometheus“), Willem Dafoe who needs no introduction (“Antichrist“, “Platoon“, 2002 “Spider-Man“) and Glenn Close (“Guardians of the Galaxy, Vol. 1“, “The Girl with All the Gifts“).
So what went wrong? The details. From the first frames you dive into a fascinating world of Mr. Cliche. He is the boss in this dystopian world. The details completely ruin any credibility of this world, and for a dystopian movie that is crucial. That’s like teaching miners how to be astronauts when you can teach the latter how to drill.
In order to avoid the spoilers, let me make an example. All the people must carry an ID card. In any time of the day and night you must be able to prove that you’re the only child in the family. Even when you go to buy some meat, you still need to give your card to the butcher – why?! But I can swallow it. Okay. But if you’re a 35-year-old-woman, it means your mum is at least 50 years old, then what’s the point? If you were the only child yesterday, it’s obvious that tomorrow you’re still the only child because your mom can’t have kids anymore. That’s a big plot hole, but while watching the film I made a rough list and counted about 10 of them, and that’s just during the first view.
Where Alfonso Cuaron was subtle in portraying such a realistic dystopia, “What Happened to Monday” uses a far simpler approach. It’s like Michael Bay filming “Children of Men“. Need to portray an overpopulated world? Just show an overcrowded street 5 times in a row. Totalitarian society? O.K., who cares how it was created and who allowed it. Just show how the police taking away the kids from the angry parents! (…and why all the kids are between 5 and 10 years old? Why they don’t take infants?) Putting illegal children in a cryocam without letting the parents to visit them? Sure!
But if you manage to close your eyes on it, it’s not a bad flick. I was delighted to see Noomi Rapace performing the role(s) of 7 sisters. Noomi Rapace, the chameleon actress… I thought she will become a major movie star 5 years ago? I loved her roles in “Prometheus” and “The Girl with the Dragon Tattoo”, but due to bad luck after 2012 she did 6 movies (mostly crime/thrillers), 4 of which had less than 35% on RT and pretty low ratings on IMDb. Only “The Drop” with her and Tom Hardy seems to be a good flick (7.1 IMDb and 90% RT).
Willem Defoe, a great American actor, was okay here – his role was limited (thanks to the script!) to a kind-but-severe-uncle cliche. Glenn Close, also a versatile and and talented actress, portrayed a very cliched villain that you want to punch in the face from the first frames… but I can’t blame her for that (thanks to the script!).
Worth watching? “What Happened to Monday” may easily satisfy
young unpretentious veiwers (think “Surrogates” or various YA dystopias which I can’t stand), so I get it why Netflix stepped in. For everybody else… If you want to see what happens if Michael Bay and Roland Emmerich make a baby and then make him become a director and shoot “Children of Men” sequel… you’re more than welcome! Just don’t forget that these big-bada-boom guys can still do some nice stuff, especially if mixed with seven clones of Noomi Rapace, one Willem Dafoe, a dystopian setting and some chilling thriller.
Watch instead: choose any kind of dystopia you like! “Children of Men” for a modern, minimal and extremely relevant dystopia, “A Boy and His Dog” for 70-s black satire, “Moon” for a minimal low budget sci-fi awesomeness, “Dead Man’s Letters” for all Tarkovsky’s fans, “Version 1.0” for a Kafkaesque surreal cyberpunk, “THX-1138” for an arthouse film, “Sleep Dealer” as a smart illegal workforce Mexican dystopia – all much better movies. For a quick-paced action… ”V For Vendetta” (also by no means perfect movie) or bloody lovely ”Watchmen”?
Or be a sweetheart and help ”Blade Runner 2049” that is definitely struggling in the box office.