Alien: Ressurection

alienDirector: Jean-Pierre Jeunet. Starring: Sigourney Weaver, Ron Perlman, Winona Ryder, Dominique Pinon, Brad Dourif, Gary Dourdan, Michael Wincott. USA, 1997. Budget: $60 mln. Box office: $160 mln. IMDb: 6.2. RT: 55%. My rating: 3/4. Xenomorphs… shaken & stirred.

– Hey, Ripley. I heard you, like, ran into these things before?
– That’s right.
– Wow, man. So, like, what did you do?
– I died.
(a dialogue from the film)

It may seem strange and irrelevant to write about ”Alien: Ressurection” more than 20 years after its release, especially given that it’s mostly known as a faulty sequel abruptly suspending the franchise for 15-20 years. Or less, it depends how you count. Plus it is the lowest rated movie of the franchise. So why even bother?

PopularOccasionalBasilisk-size_restricted

Honestly, I think there was some misunderstanding. Mostly it happened for two reasons:

1997

  • The tonal mismatch tone of the new xenomorph’s movie was strickingly different from any other entry of the series and many couldn’t stand it… even considering that 3 previous movies was totally different flicks as well (namely: a horror, a blockbuster, a thriller). But in many ways ”Alien: Ressurection” was totally wicked and wry, as if Terry Gilliam directed it (hint: he didn’t, but the director Jean-Pierre Jeunet was directly influenced by Gilliam as a filmmaker).
  • Weak final which worsens the aftertaste of the film

***

Lets also have a quick look at how the xenomorph’s formula works… worked:

  • Alien (1979) = 8.1 IMDb – $11 mln budget + $104 mln box office + 7 years till next sequel
  • Aliens (1986) = 8.0 IMDb – $18 mln budget + $130 mln box office + 6 years till next sequel
  • Alien 3 (1992) = 6.4 IMDb – $50 mln budget + $160 mln box office + 5 years till next sequel
  • Alien: Ressurection (1997) = 6.2 IMDb – $60 mln budget + $160 mln box office + 15/20 years to a real prequel

Then the franchise started to twitch all over, detox and show some remote signs of life thanks to 2 crossovers, namely…

As the detox period ended, cracked-and-close-to-dementia Ridley Scott started to sweat…

  • Prometheus = 7.0 IMDb – $120 mln budget + $400 mln box office + the wow effect  + because it really was quite a solid sci-fi thriller with a brilliant cast and cool designs
  • Alien: Covenant = 6.5 IMDb – $97 mln budget + $240 mln box office + unclear future of the franchise
  • Unknown Covenant sequel which will concentrate more on the A.I. than xenomorphs and will supposingly link the events to the original film

***

I think that in its own wicked way, ”Alien: Ressurectioncould have easily been considered as one of the most creative and dazzling entries of the franchise. By no means the film is a masterpiece, but it’s not a cash-in, trying to blindly copy/rehash the success of the first two movies (like ”Alien: Covenant” just did). It does have its own style, full of grim grotesque, weird humour and surrealism. It’s not a balanced movie, but it’s exactly the case when you think ”oh at least they tried”.

 

15 years before Scott started digging his own shit again with ‘Prometheus‘ and 20 years before ‘Alien: Covenant‘, Jean-Pierre Jeunet (and Joss Whedon, whose contribution as a witer is important, even if he – in his own words – hated the movie) weren’t afraid to approach the creepy theme of genetic modifications and alien/human crossbreeding.

 

They had enough balls to modify the main character (the main reason why Marvel movies prosper so much nowadays – they’re not afraid to tweak, weaken or strengthen their characters) and dig deeper into the essence of human and xenomorph nature. While many wish the movie maintained a more serious tone, I think that given the whole ridiculousness of the plot, the tone set was quite right. Otherwise it just would be even worse.

C’mon, you cannot have a storyline like that and stay serious. That would be too much. That’s why I kinda like the movie – it knows its shortcomings, it dares to create something new and not simply rehash the old stuff, it has enough humour to smooth things over.

 

Without giving away too much of the plot, there are 3 particularly remarkable episodes that set the tone. I wasn’t too sure about the first one as it had really impressed me as a teen, but after rewatching it nowm 20 years later, I feel as good about it which rarely happens. Here we go, this is the episode where you see that xenomorhps can learn and adapt (just some GIFs as I don’t want to give away too much of the plot):

part 1part 2 big

Here’s another episode where we learn that Ripley’s character was ‘tweaked’…

It’s exactly what a sequel like this needs and what ‘Alien: Covenant‘ was missing. The lesson is simple, Ridley – if you can’t make it as creepy as hell, at least don’t be so serious. Please.

Finally, the 3rd episode that I find particularly significant and valuable to the core of the franchise is when Ripley enters the crossbreeding laboratory. A perfect example of the new direction the franchise could easily take, especially considering the final part of the movie and Whedon’s ideas about the battle for Earth.

 

It has always surprised me that among all the cast only Sigourney Weaver has been considered as the core value of the franchise – each of 4 movies always featured strong and charismatic supporting characters, and I don’t see what was the problem of making a 5th Alien movie without Ripley (no, I don’t mean ‘Prometheus’ which I must admit did have a strong cast, I mean the real sequel). Lack of good ideas, probably, but not having Sigourney Weaver onboard is no excuse.

7f74b128384c8a0acbdf82dfc037af42

The production. Before moving to the film itself, I’d love to mention some facts about the crew and the production. Jean-Pierre Jeunet directed several curious flicks such as ”Delicatessen” (post-apocalyptic black comedy), ”City of Lost Childern” (fantasy tale, also with Ron Perlman) and ”Amelie”. The script was created by Joss Whedon (”Serenity”, ”Avengers”) and it wasn’t an easy task – he wrote multiple versions of it, all of them denied by producers and Sigourney Weaver as well as she was not interesed in that kind of setting… The original script had a third act on Earth, with a final battle for Earth itself. Here’s what Whedon said in 2005 about the film:

“It wasn’t a question of doing everything differently, although they changed the ending; it was mostly a matter of doing everything wrong. They said the lines…mostly…but they said them all wrong. And they cast it wrong. And they designed it wrong. And they scored it wrong. They did everything wrong that they could possibly do. There’s actually a fascinating lesson in filmmaking, because everything that they did reflects back to the script or looks like something from the script, and people assume that, if I hated it, then they’d changed the script…but it wasn’t so much that they’d changed the script; it’s that they just executed it in such a ghastly fashion as to render it almost unwatchable.”

On the contrary, H. R. Giger loved the film. I’m with Giger this time.

Worth watching? So, what a paradox, if you think of ”Alien: Ressurection” in terms of pure geeky nerdy fun, I think it could easily qualify as one of the best sequels ever, because it’s not afraid to turn upside down and expand the original cult movies and very little sequels have enough balls to do so. It could have been much better, yes, but it is far from being as bad as many claim. I really recommend it, if you like wry humour and don’t sit and pray the whole day for the sacred 1979 horror (which is as delicious now as it was back then) and 1986 blockbuster (which in my opinion was an absolute breakthrough for its time, but from other point of view reduced the sense of danger coming from the xenomorphs, making them more similar to an insects…). Finally, it’s that kind of movie that even if you hate it, you can still enjoy it. Just know that it’s different.

Spectacularity: 3.5/4
Acting:  3/4
Directing: 3/4
Screenplay: 2/4
Final vote: 3/4

***

Here’s a lovely poster of Alien 3 for those who don’t agree with my review.

alien

Advertisements

Attack The Block

Director: Joe Cornish. Starring: Jodie Whittaker, John Boyega, Nick Frost, Luke Treadaway. UK, 2011. Budget: $13 mln. Box office: $5.8 mln. IMDb: 6.6. RT: 90%. My rating: 3.5/4. A fucked up version of E.T.

attack the block posters

– No idea. Not a bloody clue. Maybe there was a party at the zoo, and a monkey fucked a fish.
(Nick Frost’s character about the alien the boys found)

– You’re quite fit you know? Have you got a boyfriend?
– Yeah.
– You sure about him? Where is he? Cos he ain’t exactly lookin’ out for you tonight.
– He’s in Ghana.
– You going out with an African then?
– No… he… he’s helping children. Volunteers for the Red Cross.
– Oh… is it? Why can’t he help children in Britain? Not exotic enough is it? Don’t get a nice suntan. Tsst.
(conversation between two teens)

attack-the-block-poster-1-638

This one is a true gem with a distinctive British flavour. A lovely movie indeed and it’s much more than it seems. It’s kind of a bad street teenager with rough manners, but with a good heart buried deep inside, sentimental and ready for the next adventure. The story starts with a teenage street gang of mixed race in South London suburbia – they find themselves right in a middle of an alien invasion. So i20170205_210824magine mixing the life and language of street teenagers who try to seem cool and control, as they believe, through fear and minor crimes, with the sudden attack of the monsters. Hilarious, scary, atmospheric and sentimental. And all that wrapped in a social context.

Dedicated to all fans of Cornetto trilogy (the director Joe Cornish is a long-time collaborator and friend of Frost, Pegg and Wright).

attack-the-block

”Maybe there was a party at the zoo, and a monkey fucked a fish.”

***

Like in most good sci-fi, the aliens are just a premise for something bigger. The gang members, who l20170205_210726ook rather unpretty in the beginning of the movie when mugging a nurse (and most of them are barely 15 years old), start to gain our sympathy and trust. They learn how to find their own voice and character, to surpass their previous social and ethnic prejudice. I would even dare to say that it makes the film pretty unique. There are plenty of movies where some bad guys are locked up in a place and are forced to protect it and then finally we start to like them more and more (Hi, John Carpenter!). But these kids are not just some c20170205_212226onvicted murderers in prison. They are real teenagers who live in that way, for one reason or another. And you have a chance to see them in a unique environment with aliens and stuff. Even leaving aside all the social context, this is a wonderful and entertaining sci-fi movie.

Surprisingly great acting by mainly unknown to me actors (except of Nick Frost… plus I wrote this review around January 2017, when John Boyega wasn’t fighting one more time against the Dark Side!). If you enjoyed such movies as ”Shaun of the Dead” and ”Hot Fuzz”, then for sure don’t miss this one (by the way, Nick Frost starred in all of them). The effects look great and the monsters’ design is awesome. Minimal, but extremely effective. Here it is:
attack-the-block-poster-glow-in-the-dark
Interestingly, this is a debut for both director Joe Cornish and (now famous) John Boyega. Jodie Whittaker has made since then a great appearance in one of my favourite ”Black Mirror” episodes – ”The Entire History of you”. It had a great reception on festivals and from critics. $13 million budget with $5.8 million box office.

By the way, Cornish 20170205_212135describes ”Attack the Block” as “a fucked-up version of E.T.” (one of movies that influenced him most). He is right, it’s pretty fucked up, and it gets quite bloody and violent at times as well. But like I said, remember that street boy. He might be not what he seems, just give him time.

 

Acting:  3.5/4
Spectacularity: 3/4
Originality: 4/4
Pathos level: very low
Final vote: 3.5/4

Some cool fan-made posters:

 

10 Cloverfield Lane

Director: Dan Trachtenberg. Producer: J. J. Abrams.Starring: John Goodman, Mary Elisabeth Winstead, John Gallagher Jr. USA, 2016. IMDb: 7.2. My rating: 4/4. Exemplary sci-fi thriller.

– It’s the end of the world and he’s upset about a dead pig.cloverfield-lane
(one of the main characters)

“10 Cloverfield Lane” will beat you up, drag down the stairs and then suddenly act like an old friend who will tell you some good jokes and offer a few beers. Just to beat you up to death again 10 minutes later. And with all due respect to Dwayne Johnson, it’s John Goodman who should be called The Rock. Damn. It’s such a relief to finally see a great thriller, one of the most abused genres probably. And a good sci-fi thriller is even a more rare specimen.

Continue reading

Arrival

Director: Denis Velleneuve. Starring: Amy Adams, Forest Whitaker, Jeremy Renner. USA, 2016. IMDB: 8.0. My rating: 4/4. Science fiction poetry.arrival

– If you could see your whole life from start to finish, would you change things?
– Maybe I’d say what I felt more often. I-I don’t know.
(conversation between main characters)

Arrival is a beautiful reminder that when we gaze at the stars we actually look at ourselves. Shot mostly in dark colours, it is full of internal light. It is a poem, a reflection, a meditation. A story about the most valuable things we have, our fears and desires. About humility, our (in)ability to hear each other and what makes us human. The visual style of the movie tries to bring up Tarkovski’s movies – and not many modern science fiction movies can be proud of that. Still, ”Arrival” combines that in a modern and accessible way that makes the film not an art-house experiment but rather a story for all of us, if we let it in our heart. ”Arrival” is that kind of film that even though not perfect but it makes you feel ashamed for having even a slightest intention to criticize it.

20170329_013106 Continue reading