– You know, Toby, when I was your age, I was always covered in something. Mud, jam, failure…
(one of the main characters)
– Do you want an autograph?
– I am actually searching for Riesling.
(dialogue between Hiddleston’s character and a famous actress)
– Keep the change!
– There is no change.
(dialogue between Hiddleston’s character and a shop assistant)
“High-Rise” is based on the 1975 novel of the same name of J. G. Ballard. So maybe some of you have some idea of what to expect. I didn’t. The story is about a luxury tower building projected by a talented architect Royal (wonderful Jeremy Irons). It is fully functional and has everything necessary for its inhabitants, even a gym and a supermarket. A young psychologist (Tom Hiddleston with a very aristocratically sad face) has just moved in. However, soon the tension starts to rise between common families living on lower floors and an elite class living higher.
It is an extremely cold-blooded movie. With all the atrocity, sex and schizophrenia that we see, it leaves however no place for the compassion. There is too much of everything – too many characters that change each other too quickly, too much craziness that may appeal first but then falls into a self-repeating decay, too many straight-forward metaphores (for example, the surname of most important person in the tower is Royal). It starts pretty intriguing but soon, just as during the scene where Hiddleston’s character with no emotions is operating on a human skull in his laboratory, the director Ben Whitley tries to use same cold approach on the novel’s metaphore about capitalism and social classes. From being just hectic and nervous, the movie becomes simply shizophrenic with the feeling of “let’s see what’s inside of this skull”. There’s some good satire and irony here, but it’s spread for almost 2 hours that feel infinitely long.
As the story goes on and the bloody revolution actually happens, it’s easy to lose track, like if the movie didn’t know in which direction move next. The photography is beautiful and the acting surprisingly is really very sturdy, balancing on the edge of excess (Tom Hiddleston, Jeremy Irons, Elisabeth Moss, Siena Miller, Luke Ewans and many others – all did a good job!). Still, I couldn’t refrain from the feeling that instead of being means to express something, the redundancy and craziness became the aim, like here they were created just for the sake of it. It’s like fighting for freedom not because you want freedom but because you like to fight.
” is beautifully shot. Most scenes and just any random frame could be easily converted in great photograph or even poster. You get this feeling easily – just have a look at the trailer. But as I said before, our eye can be tricked with ease and it gets used quickly to the excess on the screen.
Decide by yourself. In first place, it would be honest to pay tribute to the
director – “High-Rise
” is stunning visually and all actors are great. But that’s it. It’s not a bad movie, but it feels just… somehow unnecessary. “High-Rise
” drowns in excess, just like the elite class it’s deriding. If you want to examine an ant hill that is put on fire, then go for it. Still, with a source like here it could have become something bigger, but it seems that this was more of a cool-looking exercise for Ben Wheatley without examining deeply what the story is really about.
Director: Yorgos Lanthimos. With: Colin Farrell, Rachel Weisz, John C Reilley, Ben Whishaw, Lèa Seydoux, Olivia Colman, Ariane Labed. Ireland, UK, Greece, France, Netherlands, 2015. IMDB: 7.1. My rating 4/4. Black weird absurdist tragicomedy set in dystopian future.
– Now have you thought of what animal you’d like to be if you end up alone?
– Yes. A lobster.
– Why a lobster?
– Because lobsters live for over one hundred years, are blue-blooded like aristocrats, and stay fertile all their lives. I also like the sea very much.
(dialogue between Hotel manager and David)
– Can I come to your room sometime for a chat? I could give you a blowjob. Or you could just fuck me. I always swallow after fellatio and I’ve got absolutely no problem with anal sex if that’s your thing. My ex-husband always used to say I had the most beautiful thighs he’d ever seen, but let’s not talk about him.
(Biscuit Woman to David)
Yorgos Lanthimos likes to bring it to the extreme. In Dogtooth (2009) it was a family, now it is the whole society. Or at least some imaginary city or country. We don’t know. He depicts a world in which single people have only 45 days to find a partner and are put in a special hotel facility. As this term expires, they will be turned into an animal they chooses. Welcome to the strange world of Lobster. There’s a lot to explore. It is the first movie Lanthimos made in English. With the budget of $4 million it grossed about $14 millions and received a whole bunch of awards. The scenario was co-written by Lanthimos’ long-time collaborator Efthymis Filippou. Continue reading