trippy

Parade of the Planets

parad planetDirector: Vadim Abdrashitov. Writer: Aleksandr Mindadze. Starring: Oleg Borisov, Sergey Shakurov, Sergey Nikonenko, Liliya Gritsenko, Aleksandr Pashutin, Pyotr Zaychenko. USSR, 1984. IMDb: 7.2. My rating: 3.5/4. A surreal metaphor about the end of an era, generations and human fate.

– I was a good student. And all good students dreamt to be astronomers. Discover new stars. But all stars hav5e already been discovered…
(conversation between main characters)

– I was a butcher, I was…
– And now?
– And now I’m a spirit.
(conversation between main characters)

“Parade of the Planets” gives you an illusory airy, gauzy feeling. It’s woven of a light and some invisible matter – hard to catch, yet impossible not to feel. It’s late in the afternoon, the sky is still crystal, but you feel the air is thicker, there’s a sense of doom all around… the thunder is coming. The storm that will wash away everything. We won’t even see it, probably, but the feeling itself is overwhelming. (more…)

City Zero (Zerograd)

zero-cityDirector: Karen Shakhnazarov. Starring: Leonid Filatov, Oleg Basilashvili, Vladimir Menshov, Armen Dzhigarkhanyan, Evgeniy Evstigneev. USSR, 1988. IMDb: 7.6. My rating: 4/4. Theatre of the absurd, mysterious tragicomedy & black metaphor.

– I need one first class ticket to Moscow.
– There are no tickets.
– I don’t care which one,
first or second class…
– I have neither of them.
– Where is the manager of the station?
– The manager won’t help.
(a dialogue between the train ticket seller and the main character)

20170614_070542It’s called a silent hysteria. The late 80-s, without doubt, were the most prolific period for the underground culture in Soviet Union, especially for the rock music, when so many original bands appeared whose heritage is still relevant today. But mostly they were still prohibited, while the the cinema was changing… ”Of all the arts, for us the cinema is the most important”, as Lenin once said. The censorship became less strict – occasional nudity, freethinking or just weird stuff were allowed.

”City Zero” is the finest dark offspring of that epoch. It wasn’t appreciated by the masses at that time (which is not a good symptom by itself, given that in large part the movie is about crowd manipulation as well…), being an intellectual, allegoric and metaphoric dark tale. It was the 4th feature film by Karen Shakhnazarov, already a successful and experienced director, and he managed to capture the spirit of the falling empire in this theatre of the absurd. As he admitted later, portraying the Perestroika and fall of the USSR wasn’t his priority, but the film outgrew the original intention of the director.

What’s most remarkable, “City Zero” is normally classified and sci-fi/mystery – and if you analyze every single scene separately, there’s nothing completely impossible. The famous cake scene actually happened once. But looking at the whole story makes you feel like slowly drowning in the swamp… It’s kind of ”Donnie Darko” goes on ”Mullholland Drive” in ”The Twilight Zone” atmosphere.

(more…)

Triangle

TriangleDirector: Christopher Smith. Starring: Melissa George, Michael Dorman, Rachael Caprani, Henry Nixon, Liam Hemsworth. UK, Australia, 2009. Budget: $ 12 millions. IMDb: 6.9. My rating: 1.5/4. Unscary horror wrapped in a dull time-looped puzzle.

– Well listen we don’t have to go today if you don’t want too.
– No I do… I… I… I wanna go.
– You sure?
– Yea… yea!
– Yea? OK!
 Lets go sailing!
(a typical dialogue)

Most movies about time travel/time loops share one thing in common. No, it’s not what you thought. It’s an immense and inexplicable character obtuseness. I mean, what would a normal person do if he travels in time and meets his friends or even himself? Of course, kill everybody, do odd stuff he wouldn’t normally do, write scary messages to your counterpart and maybe slaughter him as well! Otherwise time travel is not fun, right?

It’s also the first thriller I have ever seen that takes its own plot so carelessly – the poster itself is already a spoiler. (more…)

400 Days

400Director: Matt Osterman. Starring: Brandon Ruth, Tom Cavanagh, Caity Lotz, Ben Feldman, Dane Cook. USA, 2015. IMDb: 4.7. Budget: unknown, but very low. My rating: 0.5/4. Comatose fight of Solaris vs 2001 vs Alien vs Moon.

 What is your current mood?
 Tired… and a little hung over.
 Tired and hung over aren’t moods, I need something like happy, sad, depressed, angry.
(a dialogue between main characters)

“400 Days” is a brilliant showcase of how with very little you can achieve even less. I found it on some faraway dusty sci-fi forums thanks to a viewer who complained about ”10 Cloverfield Lane”, criticizing it as a dull and uninspiring movie with bad acting. Thank you, dear unknown viewer! I must confess I feel like a snob by saying this, but should a basic cinema education be introduced in secondary education program? At least, as a short course?

Still, I am particularly proud I have seen a movie that grossed $58.00 (fifty eight dollars). Way better than ”Man Down” with Shia LaBeouf that took just £7.00 at UK box office during its premiere, isn’t it? I am also deeply convinced that even worst movies can tell you something new – for example, this year NASA will be actually testing 6 potential cosmonauts for 8 months in closed environment to examine psychological issues. On Hawaii. (more…)

Coherence

CoherenceDirector: James Ward Byrkit. Starring: Emily Baldoni, Maury Sterling, Nicholas Brendon, Elizabeth Gracen, Hugh Armstrong, Alex Manugian, Lauren Maher, Lorene Scafaria. USA, 2013. IMDb: 7.2. My rating: 4/4. A metaphysical jazz-like improvisation about your inner self and your choices, wrapped into a relationship drama and disguised as a science fiction puzzle.

– And then, he took me to some lawyer bar.
– A lawyer bar?
– Yeah. A lawyer bar, kind of. I don’t know. Everybody there seemed like a lawyer. I felt like I was the only person without a tie.
– Well, maybe we should get you a tie for emergencies.
– Yeah, wardrobe emergencies.
(a dialogue between Em and Kevin)

20170417_132232It’s surprising to see how easily “Coherence” operates on a multitude of layers. Apparently, it’s a mature and delicate observation of what happens when a group of seemingly adult people and old friends gather for a dinner (check out great psychological theatre-like movies like “Carnage”, “Little White Lies”, “Perfect Strangers”). Then it easily turns into a science fiction thriller in a minimal setting (“Moon”, “Resolution“), that soon becomes quite disturbing. Even when you understand what is happening, the film won’t calm down and stop there, but bring its premise further and further. Thirdly, it’s a mind-bending puzzle that almost causes a brain fracture – lots of other sci-fi will seem like a relaxing stroll on a beach after the labyrinths you immerse 20170417_132056in here. Like “Primer“, the film gained a huge notoriety between all kind of geeks because of its riddles. But while “Primer” was a film about nerds and brainiacs for nerds and brainiacs, “Coherence” could be easily appreaciated by everybody.

But what makes me really praise it is that finally, all these things blend naturally to bring the viewer to a different kind of reflection – on almost metaphysical level. Whether to see it in that way, is your choice. “Coherence” works well on any of its layers, no matter how deep (or not deep) you want to go. (more…)

The One I Love

Director: Charlie McDowell. Starring: Mark Duplass, Elisabeth Moss, Ted Danson. USA, 2014. IMDb: 7.1. My rating: 3/4. Witty dissection of a couple relationship wrapped in a sci-fi puzzle.

– Let’s say you buy a gorilla.one_i_love
– Excuse me?
– Let’s say you buy a gorilla, Ethan.
– You can’t buy a gorilla.
– I know that, it was for the story. But fine, let’s say
you buy an aardvark, okay?
(conversation between main characters)

What I especially liked about ”The One I Love” is that it’s a smart and small movie that is not trying to be pretentious and artsy – of those kind that are slow and hard to watch, burdened with their artistry and attempt to say something deep. While 20170406_041833somebody could criticize it for not digging as profoundly as it could, I’d rather say that it intelligently leaves you enough space to analyze it by yourself. From one hand, it’s still some kind of a romantic comedy about a couple in crisis. But it’s also a psychological minimal science fiction with witty plot and unusual approach. And as you start to understand what is actually happening in the movie, it can get pretty creepy. In short, ”The One I Love” is a micro-budget ($ 100,000) film about a couple in crisis with lingering and memorable aftertaste. Last but not least, it’s a puzzle. (more…)

Source Code

Director: Duncan Jones. Starring: Jake Gyllenhaal, Michelle Monaghan, Vera Farmiga, Jeffrey Wright. USA, 2011. IMDB: 7.5. My rating: 4/4. Timelooped science fiction thriller. Source_Code_Poster

– You seem concerned about the time. What are you late for?
– I’m on my way to an asshole festival. I hear you’re headlining.
(a dialogue between Gyllenhaal’s character and a train passenger)

– Source Code is not time travel. Rather, Source Code is time re-assignment. It gives us access to a parallel reality.
(Dr. Rutledge)

“Source Code” is an incredibly catchy and stylish sci-fi thriller that captures your attention easily and straight from the start. All things are in the right place here – it offers a great story, real characters that you care about, intrigue and a fast pace. Once again Duncan Jones shows us after his amazing debut “Moon” (2009) that you don’t need big funds or epic action to make good sci-fi, and “Source Code” is for sure a remarkable sci-fi film. (more…)

Kin-Dza-Dza!

Director: Georgiy Daneliya. Starring: Evgeny Leonov, Yuri Yakovlev, Stanislav Lyubshin, Levan Gabriadze. USSR, 1986. Imbd: 8.2. My rating: 4/4. Absurd surreal dystopian sci-fi kin-dza-dzacomedy.

– Patzak! Where is your muzzle? Mister PG ordered – all patzaks should wear a muzzle. And
be joyful.
(Uef speaking to Violinist)

– When the society does not have a pants colour differentiation, it does not have the aim. But when it does not have an aim…
(Bee’s monologue)

20170320_014956Wanna see some truly unorthodox and brilliant sci-fi? Ever heard of “Kin-dza-dza!”? Probably you wouldn’t expect this from a Soviet science fiction, but it is actually a black absurdist comedy set on a faraway planet. It’s hilarious, weird and sad parody on both capitalist and communist societies. (more…)

High-Rise

Director: Ben Wheatley. With: Tom Hiddleston, Jeremy Irons, Siena Miller, Luke Evans. UK, 2015. IMDB: 5.7. My rating: 2/4. Psychodelic decadence kaleidoscope of a class conflict in one building.highrise

– Do you want an autograph?
– I am actually searching for Riesling.
(dialogue between Hiddleston’s character and a famous actress)

– Keep the change!
– There is no change.
(dialogue between Hiddleston’s character and a shop assistant)

20170317_221720“High-Rise” is based on the 1975 novel of the same name of J. G. Ballard. So maybe some of you have some idea of what to expect. I didn’t. The story is about a luxury tower building projected by a talented architect Royal (wonderful Jeremy Irons). It is fully functional and has everything necessary for its inhabitants, even a gym and a supermarket. A young psychologist (Tom Hiddleston with a very aristocratically sad face) has just moved in. However, soon the tension starts to rise between common families living on lower floors and an elite class living higher.
(more…)

The Lobster

Director: Yorgos Lanthimos. With: Colin Farrell, Rachel Weisz, John C Reilley, Ben Whishaw, Lèa Seydoux, Olivia Colman, Ariane Labed. Ireland, UK, Greece, France, Netherlands, 2015. IMDB: 7.1. My rating 4/4. Black weird absurdist tragicomedy set in dystopian future.

 Now have you thought of what animal you’d like to be if you end up alone?lobster
 Yes. A lobster.
 Why a lobster?
 Because lobsters live for over one hundred years, are blue-blooded like aristocrats, and stay fertile all their lives. I also like the sea very much.
(dialogue between Hotel manager and David)

– Can I come to your room sometime for a chat? I could give you a blowjob. Or you could just fuck me. I always swallow after fellatio and I’ve got absolutely no problem with anal sex if that’s your thing. My ex-husband always used to say I had the most beautiful thighs he’d ever seen, but let’s not talk about him.
(Biscuit Woman to David)

Yorgos Lanthimos likes to bring it to the extreme. In Dogtooth (2009) it was a family, now it 20170223_194523is the whole society. Or at least some imaginary city or country. We don’t know. He depicts a world in which single people have only 45 days to find a partner and are put in a special hotel facility. As this term expires, they will be turned into an animal they chooses. Welcome to the strange worl20170223_194143d of Lobster. There’s a lot to explore. It is the first movie Lanthimos made in English. With the budget of $4 million it grossed about $14 millions and received a whole bunch of awards. The scenario was co-written by Lanthimos’ long-time collaborator Efthymis Filippou. (more…)