ARQ

Director: Tony Elliott. Starring: Robbie Amell, Rachael Taylor, Shaun Benson, Gray Powell, Jacob Neayem. USA, Canada, 2016. IMDB: 6.4. Budget: about $2 mln. Box office: Netflix! My rating: 2.5/4. Timelooped sci-fi thriller.

– He has apples.
– Nobody has apples anymore.
– He does.
(the military guys)

– I was ordered to recover an energy turbine. Apparently, it’s a time machine.
(Sonny)

Netflix seems to be definitely interested in taking some part of the low- and mid- budget sci-fi pie (I have recently reviewed 2017 Netflix-distributed film “What Happened to Monday?“).

The plot.ARQ” is another try to fool around with the famous Groundhog Day effect, now in a very limited space. Through just few strokes and accidentally heard TV news it seems that the diminishing amount of fuel becomes the cause of armed conflicts in the world in a not so distant future. We just have the vague picture of what is happening as only in last minutes the story gets out of the appartment, where a20170211_080738 young couple tries to protect an innovative machine that could possibly change the concept of producing energy. But as they wake up in their bedroom, the house gets assaulted by strangers in masks and they got killed. Seconds later, they wake up again at the same place and time and the situation repeats as they try to find the way out of the loop to save the machine.

Welcome in the company of groundhogs!

What I liked. The movie is tensely filmed and certainly doesn’t leave you bored. With each loop (and there are a loooooooooooooooooot of them), more and more details are revealed and characters seem more complex than before, multiplying and stratifying. It’s fast paced, so you don’t have too much time to t20170211_081042hink over inconsistencies of the plot. There are also enough plot twists to keep you interested and they’re well done.

What I didn’t like. The problems arise with the casting of the main characters – unfortunately Robbie Amell does not have the drama of Jake Gyllenhall (who did a great time-loop sci-fi “Source Code“) or the wry humour of Bill Murray (“Groundhog Day“) and Rachael Taylor is not as sensitive and brutal as Emily Blunt (from another time-loop gem “Edge of Tomorrow“) and honestly was quite annoying. Amell at least tries to look trustworthy, but Taylor… most of her acting consists of a slightl20170211_081258y open mouth and widened eyes. Considering that 98% of the movie is shot in just several rooms and everything is pretty minimal, that can be a little annoying. The right chemistry here is missing. I saw her in Marvel’s “Jessica Jones” and she was much better there. Fortunately, the wild team of the unknown militaries compensate that well with more charismatic Shaun Benson and Gray Powell.

The main gimmick is used too much – the movie lasts barely 90 minutes and that is not 20170211_081023much, but almost all of the time we see the same time-loop in different variations. As we all know, exemplary exercises in minimalism are so difficult to comply. “ARQ” is no exception – though it tries pedantically. As many noted, if cut by half it would be an great episode of something like “Black Mirror“.

The production.ARQ” is a full-lentgh debut for Tony Elliott, who was mostly a screenwriter before (including highly popular “Orphan Black” and the TV series “12 Monkeys“). However, he originated the idea long time before that in 2008. The budget was under $2 million and the film was shot in 19 days in Toronto.

Worth watching? While “ARQ” is certainly not a new word in the genre and does not reach the heights set by its predecessors, in first place due to a lack of chemistry of the main characters, but it can still be entertaining and fun to watch. There are much worse time paradox films like “Triangle” (which was just ridiculous). So, maybe give it a try. Just don’t expect it to be some groundbreaking sci-fi relevation, okay?

Acting:  2.5/4
Directing: 3/4
Originality: 2.5/4
Pathos level: low
Final vote: 2.5/4

Watch also: “Source Code” is definitely a much better time-loop film that I absolutely love, and it still keeps things minimal. “Edge of Tomorrow” is an awesome blockbuster with a shitload of irony, highly recommended even for those who can’t stant Com Truise. And, of course, don’t forget “Groundhog Day“, which was recently ressurected as a musical (read about it + some curious little known facts about the film here).

Triangle

TriangleDirector: Christopher Smith. Starring: Melissa George, Michael Dorman, Rachael Caprani, Henry Nixon, Liam Hemsworth. UK, Australia, 2009. Budget: $ 12 millions. IMDb: 6.9. My rating: 1.5/4. Unscary horror wrapped in a dull time-looped puzzle.

– Well listen we don’t have to go today if you don’t want too.
– No I do… I… I… I wanna go.
– You sure?
– Yea… yea!
– Yea? OK!
 Lets go sailing!
(a typical dialogue)

Most movies about time travel/time loops share one thing in common. No, it’s not what you thought. It’s an immense and inexplicable character obtuseness. I mean, what would a normal person do if he travels in time and meets his friends or even himself? Of course, kill everybody, do odd stuff he wouldn’t normally do, write scary messages to your counterpart and maybe slaughter him as well! Otherwise time travel is not fun, right?

It’s also the first thriller I have ever seen that takes its own plot so carelessly – the poster itself is already a spoiler. Continue reading

Source Code

Director: Duncan Jones. Starring: Jake Gyllenhaal, Michelle Monaghan, Vera Farmiga, Jeffrey Wright. USA, 2011. IMDB: 7.5. My rating: 4/4. Timelooped science fiction thriller. Source_Code_Poster

– You seem concerned about the time. What are you late for?
– I’m on my way to an asshole festival. I hear you’re headlining.
(a dialogue between Gyllenhaal’s character and a train passenger)

– Source Code is not time travel. Rather, Source Code is time re-assignment. It gives us access to a parallel reality.
(Dr. Rutledge)

“Source Code” is an incredibly catchy and stylish sci-fi thriller that captures your attention easily and straight from the start. All things are in the right place here – it offers a great story, real characters that you care about, intrigue and a fast pace. Once again Duncan Jones shows us after his amazing debut “Moon” (2009) that you don’t need big funds or epic action to make good sci-fi, and “Source Code” is for sure a remarkable sci-fi film. Continue reading