Director: James Ward Byrkit. Starring: Emily Baldoni, Maury Sterling, Nicholas Brendon, Elizabeth Gracen, Hugh Armstrong, Alex Manugian, Lauren Maher, Lorene Scafaria. USA, 2013. IMDb: 7.2. My rating: 4/4. A metaphysical jazz-like improvisation about your inner self and your choices, wrapped into a relationship drama and disguised as a science fiction puzzle.
– And then, he took me to some lawyer bar.
– A lawyer bar?
– Yeah. A lawyer bar, kind of. I don’t know. Everybody there seemed like a lawyer. I felt like I was the only person without a tie.
– Well, maybe we should get you a tie for emergencies.
– Yeah, wardrobe emergencies.
(a dialogue between Em and Kevin)
It’s surprising to see how easily “Coherence” operates on a multitude of layers. Apparently, it’s a mature and delicate observation of what happens when a group of seemingly adult people and old friends gather for a dinner (check out great psychological theatre-like movies like “Carnage”, “Little White Lies”, “Perfect Strangers”). Then it easily turns into a science fiction thriller in a minimal setting (“Moon“, “Resolution“), that soon becomes quite disturbing. Even when you understand what is happening, the film won’t calm down and stop there, but bring its premise further and further. Thirdly, it’s a mind-bending puzzle that almost causes a brain fracture – lots of other sci-fi will seem like a relaxing stroll on a beach after the labyrinths you immerse in here. Like “Primer“, the film gained a huge notoriety between all kind of geeks because of its riddles. But while “Primer” was a film about nerds and brainiacs for nerds and brainiacs, “Coherence” could be easily appreciated by everybody.
But what makes me really praise it is that finally, all these things blend naturally to bring the viewer to a different kind of reflection – on almost metaphysical level. Whether to see it in that way, is your choice. “Coherence” works well on any of its layers, no matter how deep (or not deep) you want to go. Continue reading