The letter said that they were two feet high, and green, and shaped like plumber’s friends. Their suction cups were on the ground, and their shafts, which were extremely flexible, usually pointed to the sky. At the top of each shaft was a little hand with a green eye in its palm. The creatures were friendly, and they could see in four dimensions. They pitied Earthlings for being able to see only three. They had many wonderful things to teach Earthlings, especially about time. Billy promised to tell what some of those wonderful things were in his next letter.
Billy was working on his second letter when the first letter was published. The second letter started out like this:
“The most important thing I learned on Tralfamadore was that when a person dies he only appears to die. He is still very much alive in the past, so it is very silly for people to cry at his funeral. All moments, past, present and future, always have existed, always will exist. The Tralfamadorians can look at all the different moments just that way we can look at a stretch of the Rocky Mountains, for instance. They can see how permanent all the moments are, and they can look at any moment that interests them. It is just an illusion we have here on Earth that one moment follows another one, like beads on a string, and that once a moment is gone it is gone forever.
When a Tralfamadorian sees a corpse, all he thinks is that the dead person is in a bad condition in that particular moment, but that the same person is just fine in plenty of other moments. Now, when I myself hear that somebody is dead, I simply shrug and say what the Tralfamadorians say about dead people, which is ‘so it goes’.”
– Why me?
– That is a very Earthling question to ask, Mr. Pilgrim. Why you? Why us for that matter? Why anything? Because this moment simply is. Have you ever seen bugs trapped in amber?
– Well, here we are, Mr. Pilgrim, trapped in the amber of this moment. There is no why.
”La Jetée” (1962) is a very unusual project. It is…
…a photo novel – a science fiction short film made almost entirely in still photographs. 29 minutes of brain-penetrating painful stills.
…a dystopian science fiction movie made by Chris Marker, a French director whose career spanned for 5 decades and his most notable work were documentary essays, not feature films – let alone science fiction. Yet ”La Jetée” was interconnected with his later works in terms of the spirit.
…incredibly long-lived for a film with such an unusual form – no action, no stars and no actual video – that directly inspired one of the best Terry Gilliam’s films ”12 Monkeys”. Yes, the time when Hollywood still had the guts of making these kind of weird ‘remakes’.
…a grim philosophical story about human perception of things and memory, madness, love, time interchangeability and bleakness.
”The victors stood guard over an empire of rats.”
Director: David Sandberg. Starring: David Sandberg, Jorma Taccone, David Hasselhoff, Andreas Cahling. Sweden, 2015. Budget: $630,000. A faithful dedication to the best & the worst of the 80-s, rage mode on.
– Fuck! That’s a laser raptor. I thought they went extinct thousands of years ago. What year is this?
– It’s the Viking Age.
– That explains the laser raptor. Fuck! I went too far back in time.
(a dialogue between Kung Fury and Barbarinna)
– I’m disarming you.
(Kung Fury, before ripping off Nazi soldier’s arm)
– Open the doors, Hoff.
– I’m sorry, Fury. I can’t let you do that.
– Open the doors!
– Did anyone tell you… not to hassle the Hoff 9000?
(Kung Fury is convincing the car computer Hoff 9000 to open the door)
”Kung Fury” is a fucked up version of the dorkiest things about the martial arts movies and the 80-s/90-s pop culture you could’ve ever imagined. Thor showing off his over-sized breast muscles? Check. A slot machine “Hoff 9000″ (built by Hitler to reestablish his power) goes rogue revenging the world? Check. ”The Matrix” parody in the goofy 80-s à la Van Damme style? Check. Tyrannosaurus vs Nazi soldiers? Check.
I’m disarming you.
Growling “I’m disarming you” with Batman’s voice to an enemy with a gun and then just tear the poor man’s limb off to use it as an airscrew? Check!
Director: Christopher Smith. Starring: Melissa George, Michael Dorman, Rachael Caprani, Henry Nixon, Liam Hemsworth. UK, Australia, 2009. Budget: $ 12 millions. IMDb: 6.9. My rating: 1.5/4. Unscary horror wrapped in a dull time-looped puzzle.
– Well listen we don’t have to go today if you don’t want too.
– No I do… I… I… I wanna go.
– You sure?
– Yea… yea!
– Yea? OK!
– Lets go sailing!
(a typical dialogue)
Most movies about time travel/time loops share one thing in common. No, it’s not what you thought. It’s an immense and inexplicable character obtuseness. I mean, what would a normal person do if he travels in time and meets his friends or even himself? Of course, kill everybody, do odd stuff he wouldn’t normally do, write scary messages to your counterpart and maybe slaughter him as well! Otherwise time travel is not fun, right?
It’s also the first thriller I have ever seen that takes its own plot so carelessly – the poster itself is already a spoiler. Continue reading
Director: James Ward Byrkit. Starring: Emily Baldoni, Maury Sterling, Nicholas Brendon, Elizabeth Gracen, Hugh Armstrong, Alex Manugian, Lauren Maher, Lorene Scafaria. USA, 2013. IMDb: 7.2. My rating: 4/4. A metaphysical jazz-like improvisation about your inner self and your choices, wrapped into a relationship drama and disguised as a science fiction puzzle.
– And then, he took me to some lawyer bar.
– A lawyer bar?
– Yeah. A lawyer bar, kind of. I don’t know. Everybody there seemed like a lawyer. I felt like I was the only person without a tie.
– Well, maybe we should get you a tie for emergencies.
– Yeah, wardrobe emergencies.
(a dialogue between Em and Kevin)
It’s surprising to see how easily “Coherence” operates on a multitude of layers. Apparently, it’s a mature and delicate observation of what happens when a group of seemingly adult people and old friends gather for a dinner (check out great psychological theatre-like movies like “Carnage”, “Little White Lies”, “Perfect Strangers”). Then it easily turns into a science fiction thriller in a minimal setting (“Moon“, “Resolution“), that soon becomes quite disturbing. Even when you understand what is happening, the film won’t calm down and stop there, but bring its premise further and further. Thirdly, it’s a mind-bending puzzle that almost causes a brain fracture – lots of other sci-fi will seem like a relaxing stroll on a beach after the labyrinths you immerse in here. Like “Primer“, the film gained a huge notoriety between all kind of geeks because of its riddles. But while “Primer” was a film about nerds and brainiacs for nerds and brainiacs, “Coherence” could be easily appreciated by everybody.
But what makes me really praise it is that finally, all these things blend naturally to bring the viewer to a different kind of reflection – on almost metaphysical level. Whether to see it in that way, is your choice. “Coherence” works well on any of its layers, no matter how deep (or not deep) you want to go. Continue reading
Director: Scott Derrickson. Starring: Benedict Cumberbatch, Chiwetel Ejiofor, Rachel McAdams, Tilda Swinton, Benedict Wong, Mads Mikkelsen. USA, 2016. IMDb: 7.6. My rating: 2.5/4. Marvel superhero flick, this time with magic.
– Well, what’s this? My mantra?
– The Wi-Fi password. We’re not savages.
(conversation between Dr. Strange and a monk)
The never sleeping guys from Marvel continue to expand its cinematic universe, this time with the introduction of magic and Benedict Cumberbatch. As usually, “Dr. Strange” gives us exactly what is expected from an average Marvel film – awesome effects, humour, not much gore, cynical but good-hearted main hero and an overall charming feel of a little marvel. Maybe it doesn’t reach the heights set by the first “Avengers” or “Iron Man”, but lots of fun and entertainment are guaranteed.
Still, I feel that ”Dr. Strange” got way too much praise than it actually deserved. Continue reading
Director: Shane Carruth. Starring: Shane Carruth, David Sullivan, Casey Gooden. USA, 2004. IMDB: 7.0. My rating: 1/4.
Abe: Did you notice those? When you were controlling the feeds, did you notice the parabolic? Hey, it’s important. Parabolas are important. Here, look at this.
Aaron: I don’t know, Abe.
Abe: Now, I’m gonna start it up and let it run for sixty seconds with, with nothing in it, okay, it’s empty this time.
Aaron: [watching the time] That’s twenty-two.
Abe: In all the equations that describe motion and heat…
[They start to cross-talk over each other]
Aaron: Now, just one minute, just a second…
Abe: …in all the Feynman diagrams, what’s the one variable that you can turn into negative and still get rational answers from?
(a conversation between main characters)
Aaron: You know that story, about how NASA spent millions of dollars developing this pen that writes in Zero G? Did you ever read that?
Aaron: You know how the Russians solved the problem?
Abe: Yeah, they used a pencil.
Aaron: Right. A normal wooden pencil. It just seems like Philip takes the NASA route almost every time.
(a conversation between main characters)
Primes is one on remarkable examples of where independent ultra low-budget science fiction can get. It was made by Shane Carruth for just about $ 7,000 (he also wrote the script, the soundtrack, played one of main characters and lots of other stuff as well). It gained good recognition on festivals (including Sundance grand jury prize, oh yeah) and still holds 7.0 with almost 80.000 votes on IMDB. Sounds like a great deal for a true low-budget sci-fi fan? I also thought so. But it’s fascinating to see how high a movie like “Primer” can get, gaining recognition between geeks. Continue reading
Director: Colin Trevorrow. Starring: Aubrey Plaza, Mark Duplass, Jake Johnson. USA, 2013. IMDB: 7.0. My rating: 4/4. Science fiction romantic comedy.
– What are you guys, racists?
– It’s complicated.
(conversation between Darius and guys when she asks them to get out of the car in a bad-looking suburb mostly populated by immigrants)
Wanted: Somebody to go back in time with me. This is not a joke. P.O. Box 91 Ocean View, WA 99393. You’ll get paid after we get back. Must bring your own weapons. Safety not guaranteed. I have only done this once before.
(main premise of the movie)
What a lovely and touching movie. Such an surprise! With its funny sci-fi premise and 750,000 budget one could expect in best case scenario some nerdy sci-fi geek C-movie. But that’s not the case. Continue reading