thriller

Mimic

mimicDirector: Guillermo del Toro. Starring: Mira Sorvino, Jeremy Northam, F. Murray Abraham, Giancarlo Giannini. USA, 1997. Budget: $30 million. IMDb: 5.9. My rating: 3/4. Gothic gloomy tale about giant bugs vs humans with incredible visuals.

– How come you love bugs so much?
– These guys were building castles while dinosaurs were still wimpy little lizards.
(Mira Sorvino’s character about her passion)

I must confess that I approached “Mimic” with some kind of suspicion. I adore Guillermo del Toro. He is an incredible artist with unique visual style, but being just his second feature film (“Cronos” was the first one and it had good critical success, by the way), I had a doubt that it wasn’t already that Guillermo del Toro we all know and love. It’s also his lowest rated movie on IMDb. Damn, I couldn’t have been more wrong. A thousand apologies. Darkness blended with acid colours, gothic gloom in Victorian style, church-like sewers, unborn creatures, gore and blood. Pure joy for the heart. (more…)

Triangle

TriangleDirector: Christopher Smith. Starring: Melissa George, Michael Dorman, Rachael Caprani, Henry Nixon, Liam Hemsworth. UK, Australia, 2009. Budget: $ 12 millions. IMDb: 6.9. My rating: 1.5/4. Unscary horror wrapped in a dull time-looped puzzle.

– Well listen we don’t have to go today if you don’t want too.
– No I do… I… I… I wanna go.
– You sure?
– Yea… yea!
– Yea? OK!
 Lets go sailing!
(a typical dialogue)

Most movies about time travel/time loops share one thing in common. No, it’s not what you thought. It’s an immense and inexplicable character obtuseness. I mean, what would a normal person do if he travels in time and meets his friends or even himself? Of course, kill everybody, do odd stuff he wouldn’t normally do, write scary messages to your counterpart and maybe slaughter him as well! Otherwise time travel is not fun, right?

It’s also the first thriller I have ever seen that takes its own plot so carelessly – the poster itself is already a spoiler. (more…)

400 Days

400Director: Matt Osterman. Starring: Brandon Ruth, Tom Cavanagh, Caity Lotz, Ben Feldman, Dane Cook. USA, 2015. IMDb: 4.7. Budget: unknown, but very low. My rating: 0.5/4. Comatose fight of Solaris vs 2001 vs Alien vs Moon.

 What is your current mood?
 Tired… and a little hung over.
 Tired and hung over aren’t moods, I need something like happy, sad, depressed, angry.
(a dialogue between main characters)

“400 Days” is a brilliant showcase of how with very little you can achieve even less. I found it on some faraway dusty sci-fi forums thanks to a viewer who complained about ”10 Cloverfield Lane”, criticizing it as a dull and uninspiring movie with bad acting. Thank you, dear unknown viewer! I must confess I feel like a snob by saying this, but should a basic cinema education be introduced in secondary education program? At least, as a short course?

Still, I am particularly proud I have seen a movie that grossed $58.00 (fifty eight dollars). Way better than ”Man Down” with Shia LaBeouf that took just £7.00 at UK box office during its premiere, isn’t it? I am also deeply convinced that even worst movies can tell you something new – for example, this year NASA will be actually testing 6 potential cosmonauts for 8 months in closed environment to examine psychological issues. On Hawaii. (more…)

Inquest of Pilot Pirx

PirxDirector: Marek Piestrak. Starring: Sergei Desnitsky, Alexander Kaidanovsky, Vladimir Ivashov, Zbigniew Lesien, Boleslaw Abart. Poland, USSR, 1978. IMDb: 6.6. My rating 3.5/4. Android and space travel science fiction thriller.

– Brown, do you believe in God?
– It’s not part of my duties.
(a dialogue between Pirx and a crew member)

– Your world is horribly empty for me, your ideals laughable and your democracy iis just a reign of schemers chosen by fools.
(one of the main characters)

“Inquest of Pilot Pirx” is one of those good old sci-fi movies I miss sometimes so desperately. Unhurried, detailed, with a smart plot and good acting, the film takes its time to prepare you for everything and develops slowly, but somewhere in the middle you suddenly realize that it’s grasping you right by the throat. Based on a series of short stories by Stanislav Lem, “Pirx” a solid psychological sci-fi thriller about human-like androids and space travel, that with years gained somewhat of a cult following, especially in Poland and ex-USSR countries. It didn’t have a lot of realistic CGI for what was largely criticized, but surprisingly it aged well – what did not seem realistic turned out to be very cool from a graphical point of view.

The style and overall feel of “Pirx” is something like “Blade Runner” vs. “Alien”… but the movie was actually made few years before them. Among all the cool stuff about androids and increasing levels of suspense, “Pirx” featured first-person view 6 years before “The Terminator” and here it’s not just some pure entertaining element, but an organic part of the plot. Good old science fiction, dammit.

”Pirx” also caused a chain reaction in my mind about several important topics:
– Why there has been no progress in A. I. development since the 50-s and do we really need it – in its classic sci-fi understanding? (short answer would be ‘no’)
– Why pre-CGI or early CGI specials effects were often more awesome than the photorealistic CGI we have nowadays?

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Coherence

CoherenceDirector: James Ward Byrkit. Starring: Emily Baldoni, Maury Sterling, Nicholas Brendon, Elizabeth Gracen, Hugh Armstrong, Alex Manugian, Lauren Maher, Lorene Scafaria. USA, 2013. IMDb: 7.2. My rating: 4/4. A metaphysical jazz-like improvisation about your inner self and your choices, wrapped into a relationship drama and disguised as a science fiction puzzle.

– And then, he took me to some lawyer bar.
– A lawyer bar?
– Yeah. A lawyer bar, kind of. I don’t know. Everybody there seemed like a lawyer. I felt like I was the only person without a tie.
– Well, maybe we should get you a tie for emergencies.
– Yeah, wardrobe emergencies.
(a dialogue between Em and Kevin)

20170417_132232It’s surprising to see how easily “Coherence” operates on a multitude of layers. Apparently, it’s a mature and delicate observation of what happens when a group of seemingly adult people and old friends gather for a dinner (check out great psychological theatre-like movies like “Carnage”, “Little White Lies”, “Perfect Strangers”). Then it easily turns into a science fiction thriller in a minimal setting (“Moon”, “Resolution“), that soon becomes quite disturbing. Even when you understand what is happening, the film won’t calm down and stop there, but bring its premise further and further. Thirdly, it’s a mind-bending puzzle that almost causes a brain fracture – lots of other sci-fi will seem like a relaxing stroll on a beach after the labyrinths you immerse 20170417_132056in here. Like “Primer“, the film gained a huge notoriety between all kind of geeks because of its riddles. But while “Primer” was a film about nerds and brainiacs for nerds and brainiacs, “Coherence” could be easily appreaciated by everybody.

But what makes me really praise it is that finally, all these things blend naturally to bring the viewer to a different kind of reflection – on almost metaphysical level. Whether to see it in that way, is your choice. “Coherence” works well on any of its layers, no matter how deep (or not deep) you want to go. (more…)

Morgan

Director: Luke Scott. Starring: Kate Mara, Anya Taylor-Joy,morgan Rose Leslie, Michale Yare, Toby Jones. USA, 2016. IMDB: 5.8. My rating: 1/4. Sci-fi thriller about androids and stuff.

– Do you know the cruelest thing you can do to someone you’ve locked in a room? Press their face to the window.
(one of the scientists)

20170415_080345”Morgan” will surely provide you with some powerful insight about which tales Ridley Scott told his kids before sleep. It is another take on androids in the recent wake of independent A.I. science fiction and a debut feature of Luke Scott, whose father directed several movies we all adore. But “Morgan” is too immature to tell a complex story and the movie admits this quickly by itself, as it quickly abandons any attempts of being smart and tries to compensate it with some action. Not really good action. (more…)

Soylent Green

Director: Richard Fleischer. Starring: Charlton Heston, Edwarg G. Robinson, Leighsoylent_green Taylor-Young. USA, 1973. IMDb: 7.3. My rating: 1.5/4. Dystopian future cli-fi.

– Why, in my day, you could buy meat anywhere! Eggs they had, real butter! Fresh lettuce in the stores.
– I know, Sol, you told me before.
(conversation between Sol and Det. Thorn)

Imagine Ellen Ripley would stop lurking around in a middle of the heat and starting a love affair with a crew member, because the alien suddenly went vegan? Stuff like “Soylent Green” is the worst kind of cinema. The trailers and marketing campaign say it is science fiction (adventure, action, thriller, put what’s right in your case). 10 minutes pass, and you think – well, maybe it will start now. Other 10 minutes are gone, and you say – well, it was just a good warm up, now is the time! And as you reach 30-minute mark, you admit – you have been cheated. It’s a fucking melodrama. (more…)

10 Cloverfield Lane

Director: Dan Trachtenberg. Producer: J. J. Abrams.Starring: John Goodman, Mary Elisabeth Winstead, John Gallagher Jr. USA, 2016. IMDb: 7.2. My rating: 4/4. Exemplary sci-fi thriller.

– It’s the end of the world and he’s upset about a dead pig.cloverfield-lane
(one of the main characters)

“10 Cloverfield Lane” will beat you up, drag down the stairs and then suddenly act like an old friend who will tell you some good jokes and offer a few beers. Just to beat you up to death again 10 minutes later. And with all due respect to Dwayne Johnson, it’s John Goodman who should be called The Rock. Damn. It’s such a relief to finally see a great thriller, one of the most abused genres probably. And a good sci-fi thriller is even a more rare specimen.

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Source Code

Director: Duncan Jones. Starring: Jake Gyllenhaal, Michelle Monaghan, Vera Farmiga, Jeffrey Wright. USA, 2011. IMDB: 7.5. My rating: 4/4. Timelooped science fiction thriller. Source_Code_Poster

– You seem concerned about the time. What are you late for?
– I’m on my way to an asshole festival. I hear you’re headlining.
(a dialogue between Gyllenhaal’s character and a train passenger)

– Source Code is not time travel. Rather, Source Code is time re-assignment. It gives us access to a parallel reality.
(Dr. Rutledge)

“Source Code” is an incredibly catchy and stylish sci-fi thriller that captures your attention easily and straight from the start. All things are in the right place here – it offers a great story, real characters that you care about, intrigue and a fast pace. Once again Duncan Jones shows us after his amazing debut “Moon” (2009) that you don’t need big funds or epic action to make good sci-fi, and “Source Code” is for sure a remarkable sci-fi film. (more…)

Screamers

Director: Christian Duguay. Starring: Peter Weller, Jennifer Rubin, Roy Dupuis, Andrew Lauer. Canada, USA, 1994. IMDB: 6.4. My rating: 3.5/4.screamersposter

– Well, you’re coming up in the world – you’ve learned how to kill
each other.
(Colonel Hendricksson about two screamers fighting each other)

– Jefferson, you must be confusing me with someone who gives a shit.
(Colonel Hendricksson)

For a horror story set on a faraway planet, where almost nothing alive is left and killer robots keep on furrowing the ground in search of a new prey, “Screamers” is a very sentimental movie. Under a bloody and violent disguise one can easily feel that it’s also a story about alienation and loneliness. Then mix enough dark humour, abandoned wastelands on a faraway planet, robots with human-like disguise and extreme cynicism. Yes, it’s a B-movie – and it’s exactly that type of B-movie that we sometimes need so much.

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