Director: David Sandberg. Starring: David Sandberg, Jorma Taccone, David Hasselhoff, Andreas Cahling. Sweden, 2015. Budget: $630,000. A faithful dedication to the best & the worst of the 80-s, rage mode on.
– Fuck! That’s a laser raptor. I thought they went extinct thousands of years ago. What year is this?
– It’s the Viking Age.
– That explains the laser raptor. Fuck! I went too far back in time. (a dialogue between Kung Fury and Barbarinna)
– I’m disarming you. (Kung Fury, before ripping off Nazi soldier’s arm)
– Open the doors, Hoff.
– I’m sorry, Fury. I can’t let you do that.
– Open the doors!
– Did anyone tell you… not to hassle the Hoff 9000? (Kung Fury is convincing the car computer Hoff 9000 to open the door)
”Kung Fury” is a fucked up version of the dorkiest things about the martial arts movies and the 80-s/90-s pop culture you could’ve ever imagined. Thor showing off his over-sized breast muscles? Check. A slot machine “Hoff 9000″ (built by Hitler to reestablish his power) goes rogue revenging the world? Check. ”The Matrix” parody in the goofy 80-s à la Van Damme style? Check. Tyrannosaurus vs Nazi soldiers? Check.
I’m disarming you.
Growling “I’m disarming you” with Batman’s voice to an enemy with a gun and then just tear the poor man’s limb off to use it as an airscrew? Check!
While “Constantine” wasn’t a perfect movie, Peter Stormare’s performance there was a true delight, as always.
It’s funny though that in a Keanu Reeves’ film – Tilda Swinton, Rachel Weisz and Peter Stormare weren’t even mentioned on the posters – he was easily outplayed by their performance. I think the best Stormare’s role was as a cold-blooded weirdo in “Fargo”, and that was wa-ay different from “Constantine”.
Well, Reeves’ eternally doleful and dismal face expression barely changes from one movie to another. But we can forgive this guy everything for “The Matrix”, don’t we?
Director: François Simard, Anouk Whissell, and Yoann-Karl Whissell. Starring: Laurence Leboeuf, Munro Chambers, Michael Ironside, Aaron Jeffery, Edwin Wright. Canada (Quebec), New Zealand, 2015. Budget: $60,000. IMDb: 6.7. My rating: 3/4. Aneccentricchildish post-apocalyptic sci-fi with lots of gore.
– I thought all robots were evil.
– Depends on the model. (The Kid and Apple are getting to know each other)
– You want to see something cool?
– I always want to see something cool. (a conversation between The Kid and Apple)
“Turbo Kid” is a faithful homage to the 80-s, a naïve love story occasionally slipping into a gory bloody post-apocalyptic trash. Sounds dorky? Well, it looks dorky too, and is entertaining as hell from the first frame.
The film doesn’t hesitate to borrow everywhere it can, but you don’t blame kids at the nearby playground for copying chases and fighting they saw on the TV screen, do you? Especially if they have a super-blaster-glove and BMX bikes.
Director: Pete Travis. Starring: Karl Urban, Olivia Thirlby, Lena Headey, Domhnall Gleeson. USA, 2012. Budget: $45 million. IMDb: 7.1. RT: 78%. My rating: 3.5/4. Gritty dystopian cyberpunk at its finest.
– Negotiation’s over. Sentence is death. (Dredd)
– I was wondering when you’d remember you forgot your helmet.
– Sir, a helmet can interfere with my psychic abilities.
– Think a bullet in the head might interfere with them more. (a dialogue between Dredd and the rookie Judge Anderson)
– I am the law. (Dredd)
It’s not like I’m keen on IMDb and Rotten Tomatoes ratings… but how often does it actually happen that a reboot of a non-Marvel/DC superhero movie has 78% RT and 7.1 IMDb, outgunning by all means the so-bad-that-it’s-good 1995 version?
You’re right – almost never. “Dredd” is probably the only decent superhero sci-fi flick released since Marvel/DC brainstormed (brainwashed?) the world. It seems though that nobody noticed that (myself included, till yesterday).