The One I Love

Director: Charlie McDowell. Starring: Mark Duplass, Elisabeth Moss, Ted Danson. USA, 2014. Budget: $100,000. Box office: $513,447. IMDb: 7.1. My rating: 3/4. Witty dissection of a couple relationship wrapped in a sci-fi puzzle.

– Let’s say you buy a gorilla.one_i_love
– Excuse me?
– Let’s say you buy a gorilla, Ethan.
– You can’t buy a gorilla.
– I know that, it was for the story. But fine, let’s say
you buy an aardvark, okay?
(conversation between main characters)

What I especially liked about ”The One I Love” is that it’s a smart and small movie that is not trying to be pretentious and artsy – of those kind that are slow and hard to watch, burdened with their artistry and attempt to say something deep (like beautiful but soulles “High-Rise“). While 20170406_041833somebody could criticize it for not digging as profoundly as it could, I’d rather say that it intelligently leaves you enough space to analyze it by yourself. From one hand, it’s still some kind of a weird story dark romantic comedy about a couple in crisis. But it’s also a psychological minimal science fiction with witty plot and unusual approach. And as you start to understand what is actually happening in the movie, it can get pretty creepy. In short, ”The One I Love” is a micro-budget ($100,000) film about a couple in crisis with lingering and memorable aftertaste. Last but not least, it’s a puzzle.

20170406_042229If you have seen an indie with Mark Duplass (“Cyrus“, “Safety Not Guaranteed“), a one man orchestra, then you’d probably know at least vaguely what to expect from “The One I Love“. Intimate atmosphere, unorthodox script and dialogues, warm human touch imbue almost all of his works. In case you are not familiar with his works, this movie could be a good reason to do it. It’s also was a curious case when the critics were asked not mention the plot of the movie since it’s pretty difficult to write about it without spoiling anything. Before the release, it had two kinds of a test screening – where the audience knew the main idea of the plot and where it didn’t (the second screening did much better).

The One I Love” is pretty minimal, basically, it’s a theater with two actors – Mark Duplass and Elisabeth Moss (“Mad 20170406_042244Men“, “High-Rise“). Almost everything is happening in one location. But thanks to an original idea with some very good acting the film keeps you glued to the screen. It’s also a debut movie by Charlie McDowell, the son of legendary Malcolm McDowell (“A Clockwork Orange“). It seems Mark Duplass has really a distinctive flair for revealing talent in young directors. He was contacted by McDowell who wanted to make something ”relationship-oriented” and during three weeks they with Justin Lader build up a very detailed 50 page script, where everything was described with 20170406_042113smallest details – everything except for the dialogues, that were improvised by Moss and Duplass right during the filming to make the story more alive and real. 9 weeks later the movie done. Pretty quick even for such a small movie.

20170406_041948But small doesn’t mean that it offers little, right?  You could draw some parallels between ”The One I Love” and brilliant ”Coherence” (a must-see!). Some other wonderful movies like ”Closer” and ”Sliding Doors” also come to my mind. But while the ”Coherence”  was more about our choices and character formation in general, ”The One I Love” is rather a dissection of a couple relationship using science fiction to approach the question from an unexpected angle. It is an intimate story about something very private though still an 20170406_042004experience almost all of us had. So I would rather rather leave you to analyze the movie by yourself. For those who are already in a relationship – go on and watch it together, it may be pretty thought-provoking for a good discussion.

20170406_042145What I liked less. Still, a movie deserves some criticism as well. While Duplass’ passion for micro-budget-oriented movies is indeed adorable – he even said that it’s actually easier to make money with a movie that has a budget of $500,000 rather than $5,000,000, I wish the film showed us the story from a bigger view. I suppose it’s not only a budget question though, but more of time and organizational matters since the movie was made barely in 3 months. At times I felt like the movie is a little bit too tight in its minimal setting for what it wants to explore.

20170406_042215The recepton. It’s always a pleasure to note that such small independent movies can gain good recognition – 80% on Rotten Tomatoes, 7.1 with 27k IMDb votes and a Saturn Award nomination as Best Independent Film.

20170406_041731Worth watching?The One I Love” is a curious dissection of a couple relationship. If you love sci-fi puzzle and Charlie Kaufman-like movies, definitely check it out. It leaves enough space for psychological depth, while remaining a pretty quick-paced and at times creepy puzzle. The plot is sturdy and witty. So yes – instead of an endless array of various kind of romantic comedies whatever, watch ”The One I Love”. I don’t like this cliched definition, but it’s a thought-provoking movie indeed. While not perfect and probably a little bit too minimal (I still prefer ”Coherence”, which I consider a low-budget cinema masterpiece, but it was also heavier and darker), ”The One I Love” is an interesting, refreshing and original psychologic puzzle about all of us.

Spectacularity: 2.5/4
Acting:  3.5/4
Directing: 3/4
Screenplay: 4/4
Final vote: 3/4

Watch also: Other great low-budget sci-fi movies set in a minimal setting: “The Man From Earth“, ”Exam”, ”The Cube”, ”10 Cloverfield Lane”, ”Moon”, ”Coherence”, “Version 1.0“.

P. S. Read here Q&A with the Duplass brothers.

Sunshine

“If this movie was American, it would doubtless be a bunch of American cowboys being sent up with fireworks and catch phrases.”

 

A wonderful review of this hugely underrated movie by Assholes Watching Movies. I can rewatch it endlessly. Like in case of “28 Days Later“, Alex Garland and Danny Boyle’s collaboration brought an incredible result. And why? Because – among all other things – they had a good solid script.

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Alex Garland’s second movie, “Annihilation“, will be out pretty soon. trailer was released recently and it looks absolutely hypnotic.  I really think in 20 years he may become what Villeneuve is now if he continues like that.

The cast is impressive – Natalie Portman, Oscar Isaac, Tessa Thompson, Jennifer Jason Leigh, Gina Rodriguez, Tuva Novotny and Sonoya Mizuno. Really looking forwatd to it.

 

ASSHOLES WATCHING MOVIES

50 years into the future, the sun is a dying star, and Earth will die along with it. We send a ship of astronauts to bomb the sun back into shining but the team goes awol somewhere out in the million miles of space. So we send another one, but this IS IT. Mankind’s last hope. We’ve officially mined all of Earth’s resources for this motherload. No pressure!

sunshine02The new team includes Rose Byrne, Chris Evans, and Cillian Murphy. They’re clearly already under stress when we meet them several years into their trip to the sun, but shit’s about to get a whole lot messier. Just as they’re approaching the most dangerous part of the mission, they receive a signal. It’s a ping from the lost ship. It’s been 7 years since anyone’s heard from them…they can’t still be alive, can they?

The crew debates whether they should divert their…

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High-Rise / posters

4 bloody lovely posters for “High-Rise” that I must have missed when reviewing Ben Wheatley’s surreal film. The last one has some very curious details.

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High-Rise-Movie

4ad16ab761614c7b7f4fa93f5c51557a--alternative-movie-posters-minimalist

High-Rise” a bloody mess of a dystopian movie based on a novel by J. G. Ballard, but it had its moments. And it also had Tom Hiddleston, Siena Miller, Jeremy Irons and absolutely beautiful although rather lifeless visuals.

 

Space Station 76

space_station76Director: Jack Plotnick. Starring: Liv Tyler, Patrick Wilson, Marisa Coughlan, Matt Bomer. USA, 2014. IMDb: 4.9. Budget: roughly 1 million. My rating: 2.5/4. Retrofuturistic black parody, Jim Jarmusch vs Wes Anderson on a 70-s space station.

– Warning. Dr. Bot must remind Misty not to become… too close to her therapist bot.
– I’ve gotta be close to somebody.
– We must keep this professional.
– Don’t be so cold.
– I must maintain objectivity.
– But I feel like…  I just feel like you and I have really been going through it here, you know? I feel like I have really been connecting with you. You know me.
– Emotion overload.

(Misty visits the robotic psychologist Dr. Bot)

 

– I’m a leg man, you know?

(a discussion between 2 guys about newly arrived female crew member)

 

Can you imagine the future with corded telephones and colonies on orbital space stations, VHS cassettes and interstellar travel? If you can’t, Jack Plotnick did it for you. ”Space Station 76” is a 1970-s version of the future that never came. And “Space Station 76” has one of the best A.I. ever. Seriously.

 

What I liked. It’s actually easier to describe ”Space Station 76” by saying what it isn’t.

 

It’s not exactly a comedy – at least, not if you understand modern comedy only as ”21 Jump Street” or Seth Rogen-like comedy. It’s more of a Jim Jarmusch vs Wes Anderson on a 70-s space station-like film. Deadpan humour. You never know when the characters are actually joking – well, probably except for the robotic psychologist Dr. Bot, the true gem of the film.

 

It’s not really a science fiction, or, at least, not in first place – the film mostly mocks its retrofuturistic sci-fi setting and ridiculous 70-s costumes, but in a nice and elegant way. It’s not a pure parody – the film really cares about its characters, never using them just as subjects of ridicule. It’s not an art-house movie – the film is not that experimental and distant from the viewers. Last but not least, it has R rating and uses it smartly – no dick jokes, but deadpan humour. The scene with the frozen dog was just nuts.

 

Combination of all this makes ”Space Station 76” pretty unique – and as it often happens with movies of  this kind, the audience hardly got it. ”I wanted to explore what it was like to be a child growing up in the summer of the 70s, which was my experience, but I wanted to tell it in sort of an artistic way by setting it in the future as we had imagined it would be in the 70s”, said Jack Plotnick in an interview.

 

There’s a weird funny episode when Liv Tyler’s character, Jessica (who just arrived at the space station) and Matt Bomer’s character, Ted (who has been living there for a while with a psychotic wife) are trying to approach each other and having a meaningful intimate conversation. Ted has an artificial arm that sometimes goes out of control. When Jessica, following her romantic impulse, puts Ted’s arm on her heart, the hand goes rogue and starts to squeeze Jessica’s left tit. All of this showed with in a deadpan manner, finishing with Jessica finally saying ”I think I should go now”.. If you like that kind of humour, you’ll find ”Space Station 76” brilliant.

 

Visually it’s a beautiful film. You may accuse it of anything but the style. It really squeezes most of its tiny budget, citing 70-s science fiction classic like Logan’s Run and Star Wars. And Dr. Bot, oh! That’s the quintessence of artificial intellect and a good parody. It reminded me of another oddball movie ”Dark Star”, the episode when Sgt. Pinback was trying to convince the Bomb N. 20 not to explode.

– I need to tell you I have just been feeling… so much better since we started treatment. I mean, like, even just my dreams  have just been better. You know, like, I haven’t been having all those feelings… and I’m just really feeling in the now.
-Feelings can sometimes pull one out of the now and put them in the then. Live in the now, not in the then.
– I don’t wanna be in the then. I wanna be in the now.
– Talking about the now can put one in the then.
– I don’t want to be in the then, I want to be in the now. I wanna move forward…
– Don’t move too far forward, you’ll be out of the now. Not too far forward.  Stay in the now.

(Misty visits the robotic psychologist Dr. Bot)

 

– What are you thinking in the midst of this silence?
– Actually, I was thinking about smoking.
– Cigarettes contain carcinogens which may cause cancer in carbon-based life forms.
– Right.
– You are a carbon-based life form… therefore, cigarettes may cause cancer inside you.
– Thank you.
– You’re welcome.

(The captain visits the robotic psychologist Dr. Bot)

 

What I didn’t like. Space Station 76” is at times uneven, especially in the first part. The photography, the acting, the music – all is well-crafted and you feel the movie was made as a passion project, but it’s the screenplay that occasionally sags, running out of fuel – maybe because it was written by 5 different people? Some scenes intended as funny left me perplexed. Some felt really unnecessary. Some plot lines got lost in the middle and didn’t get the development. A more carefully crafted screenplay would really help the film. It’s especially seen in the first half of the film, with the second being more juicy and concentrated.

All the actors created memorable and bright characters – maybe, even too much, as at times they seemed little bit too monotone in their role, like playing the same note over and over. Of course, it was intended as a part of the movie’s style, but a little more versatility wouldn’t harm the film. Liv Tyler (superhero satire “Super“, sci-fi “Robot & Frank“, “Armageddon“) was a nice exception to that, as her character was actually alive, with doubts and flexibility. It was great to see Patrick Wilson (Nite Owl in “Watchmen“, “The Conjuring”) who added a weird touch to the film with his pseudo-sexist obsessions.

The production. The project was originated by Jack Plotnick at his house while experimenting with his friends and favourite actors. This is his debut film, but Plotnick is by no means a newbie – he is in first place an actor with 20+ years of experience (”Buffy the Vampire Slayer”, ”Drawn Together”, ”Wrong”).

Worth watching? Decide by yourself. ”Space Station 76” is an interesting project, but definitely not for everyone. If you like weird and touching humour of ”Super”, ”The Lobster” or ”Defendor” combined with a retrofuturistic sci-fi look on the 70-s, definitely yes. I started to watch it with bias but learnt to appreciate it more and. Visually stylish and delicate, ”Space Station 76” still leaves weirdly good aftertaste, even far from being perfect. It’s an odd little movie that is trying to find its own tone.

2.5/4
Watch also: if you want too see a weird sci-fi comedy, have a look at “American Astronaut“, “Dark Star” or “Kin-Dza-Dza“.

Version 1.0 (Paranoia 1.0, One Point O)

one-point-0-1417958542Directors: Marteinn Thorsson, Jeff Renfroe. Starring: Jeremy Sisto, Deborah Unger, Udo Kier, Lance Henriksen, Bruce Payne. 2004, Iceland, USA, Romania. Budget: $1.7 mln. Box office: unknown. IMDb: 6.2. My rating: 3.5/4. Surreal cyberpunk.

– I’m full of bugs. I’m full of mistakes.
(one of the movie’s main characters)

– You ever have that feeling where you’re not sure if you’re awake or still dreaming?
– All the time. It’s called mescaline.
(a dialogue from “The Matrix”)

“Is atmospheric but in a way that made me nervous, I wanted to tear the seat and theater apart.”
(p_imdb-238-926380 from Germany)

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Has it ever happened to you to spend days while you are trying to get a certain information or a document? The office rats send you from one office to another (“Sure, ask my colleague from room 867 on the 16th floor“), you spend hours on the phone, then from one building to the opposite side of town (“Yes, we are open on Tuesday from 16.00 till 18.00 and on Thursday from 10.00 till 12.00“), and days pass and you feel being sucked in some insane surreal bureaucratic vortex. I experienced it more than once and – while I hope it didn’t happen do you – I bet you went through this too.

Now imagine of experiencing this kind of feeling in your own apartment, located in a somewhat post-Victorian post-communist gloomy house full of surveillance cameras, weird dark holes and obscure personalities. Every day you receive a nicely packaged box which is perfectly empty. Every day. You spy your neighbours, install the surveillance, but… the packages keep appearing. And THE MILK. You are just obsessed with milk now. “Nature Fresh” brand milk. Continue reading

The Killing of a Sacred Deer / posters

killing-of-a-sacred-deer-poster

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”… from the dude who made the weird as shit yet wholly entertaining The Lobster. And The Lobster himself, Colin Farrell, returns alongside director Yorgos Lanthimos for The Killing of a Sacred Deer” (reblogged from The Missing Reel).

Couldn’t agree more. Lanthimos and Villeneuve are probably the most remarkable directors of the last decade who manage to combine incredible visuals, original concepts and meaningful story. And both are just getting started.

Children of Men / posters

Allow me a small personal note this time. When the film was out, it didn’t make such a big impression on me. I don’t recall the exact reason. It just didn’t. I was a naive 17-year-old teen living in a…let’s call it, well, a rather badly developed second-world country with no immigrants and no terrorism (they just weren’t interested, ha, ha).

Now, 11 years after its release, I consider it a prophetic masterpiece. The reasons are simple. I moved to a place with a much higher GDP. I watched the news and I read the newspapers. Then I rewatched the film just recently and it almost made me cry.

”Children of Men”, at its core, is a horror movie. The dystopias often portray the future that is too distant or mutilated. Here everything is just so familiar…

CHILDRENOFMEN

A gloomy poster by Jock.

But it wasn’t a really successful picture when released though. Almost a flop.

The film, in hindsight, seems like a documentary about a future that, in 2016, finally arrived,” says Abraham Riesman in a freaking awesome film analysis that includes his interview excerpts with Alfonso Cuaron:

“The hope is something that you create,” says Cuaron. “You live by hoping and then you create that change. Hope is trying to change your present for a better world. It’s pretty much up to you.” The gap between our world and that of Children of Men is closing rapidly, but he refuses to give up his faith in our wayward species. There are dark days ahead, to be sure, but perhaps they will also be days of transformation. “Look, I’m absolutely pessimistic about the present,” Cuarón says. “But I’m very optimistic about the future.

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Coming back to the poster… visit Jock’s official website. He does an amazing artwork. And here Ryan provides some good insight into Jock’s poster for “Halloween”.

Event Horizon

Director: Paul W. S. Anderson. Starring: Sam Neill, Laurence Fishburne, Kathleen Quinlan. USA, 1997. Budget: $60 mln. Box office: $27 mln. IMDB: 6.7. My rating: 3/4. Sci-fi/horror/thriller in deep space.

– Where we’re going, we don’t need eyes to see.
(Dr. Weir)

– You will never be alone anymore. Now you are with me. I have beautiful things I want to show you.
(Dr. Weir’s dead wife)

Darkness, space, hell, madness and obscurity. Such a cheerful company. Welcome on board of the “Event Horizon”.

Before Paul Anderson entered the endless Resident Evil epos, he did some other notable films as well, like “Mortal Combat” and “Event Horizon”. We all know how his films look, right? I suppose almost every teenager (well, I speak mostly for boys) had a period, when he is eager to watch stuff about zombies, strange creatures, space and stuff. So what happens when these boys grow up? Some make movies, others watch them. Mostly, without being too serious about it. If there is a movie for each occasion, so for me these movies are perfect to watch late on a Friday, when the brain protests against any kind of work. Or after a late party, when you come home late but still not sleepy. But… “Event Horizon” is not exactly what you would expect from a typical Paul Anderson’s film.

It’s also has a very curious and bleeding produciton history, probably one of the best I’ve ever read together with ”The Island of Dr. Moreau”.

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Get Out + some notable sci-fi debuts

GetOutDirector: Jordan Peele. Starring: Daniel Kaluuya, Allison Williams,  Katherine Keener. Budget: $4.5 mln. Box office: $252 mln. USA, 2017. IMDb: 7.8. My rating: 3.5/4. Social commentary with elements of thriller, horror and sci-fi.

– The mind is a terrible thing to waste.
 (a quote from the movie and the motto of the United Negro College Fund)

– If there’s too many white people I get nervous.
(one of the main characters)

There were, without doubt, some prominent sci-fi debuts that marked the history of cinema, like…

  • Mad Max” (which I don’t really like a lot, but it was hugely influential)
  • Silent Running” (which was undeniably cool in 1972 but didn’t age well)
  • THX 1138” (a disturbing art form of ”1984” by George Lucas, which wasn’t received well but that changed later, as it often happens with dystopias).

There was a huge wave of many good low-budget independent debuts released recently, such as…

…and many other cool flicks. Some of them had mighty figures behind or even directly involved in the production, for example..

Finally, there were some weird and hard to classify sci-fi debuts like…

A full list will be published soon. Anyway.

I doubt whether “Get Out” will become a cult movie like some of these, but it’s an oddball and perfectly crafted movie, mixing all the genres – a bit of comedy, a slice of horror, some sci-fi – all wrapped into a caustic social commentary.

Also, I wouldn’t call it a horror, rather a thriller. It’s not that scary and has little to do with what is intended as modern horror (luckily!) where people like to go in the dark basements and put their limbs in dark holes.

And Samuel L. Jackson’s rant about casting black British actors when plenty of Americans were available is incredible indeed… but more about that later.

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