Director: George Lucas. Starring:Robert Duvall, Donald Pleasence, Maggie McOmie, Don Pedro Colley. Budget: $777,777. Box office: $2.4 mln. USA, 1971. IMDb: 6.8. My rating: 3/4. Disturbing art-house dystopia at its finest.
– Let us be thankful we have commerce. Buy more. Buy more now. Buy. And be happy.
(OMM, the digital Jesus)
– I think I’m dying.
– Could you be more specific?
(THX 1138’s confession to OMM, the digital Jesus)
– Everything will be all right; we are here to help you. Stay calm. We are not going to harm you. Everything will be all right.
(chrome police robots)
First part and more GIFs about the numbers in ”THX 1138” here.
”THX 1138” is an impressive, visionary and visually striking science fiction movie that I found fucking boring but absolutely loved at the same time. It may be a pain in the ass to watch because it’s so desperately monotonous and emotionally deadened – but that was the aim of the film too.
But once you get through it… your suffering will be rewarded. You may even want to rewatch it over time. It’s still one of the best dystopias around (and almost 50 years passed since its release).
Besides of the visuals, ”THX 1138” has an incredible amount of cultural references and just that may make it worth a watch. Steel-faced chrome police robots (lets call them, uhm, T100?), futuristic car chases (long before George Miller touched his camera), Nine Inch Nails Trent Reznor’s sampling source, dystopian underground drug-controlled society, infinite white prison with no walls (remember the Matrix endless gun warehouse scene?), early Star Wars designs, weird silent surveillance footage, erotic hologram dance, tape-recorded Jesus… A long and extensive analysis could be done on this movie.
Discovering the depths of tape-recorded digital religion.
It’s inevitable to mention George Lucas’ persona when discussing “THX-1138”. The man was known for his little love in directing the movies, that’s why after doing this, “American Graffiti” (a coming-of-age cult film which I haven’t seen, but 7.5 IMDb and 95% RT may actually mean it’s worth something!) and the first “Star Wars” movie he stepped out of the director’s seat for 22 years, only to direct the dubious “Star Wars” prequels, which for the most part are not considered as good as the original trilogy. Anyway. I’m not a huge fan of Star Wars, although I’ve watched them multiple times and enjoyed it.
In short, “THX 1138” is everything that “Star Wars” is not. It
is was the art-house face of George Lucas. Ultra slow, depressive and without even a hint of being funny. But its influence on the visuals of the latter is significant. Many of design solutions, like dominating sterile colours contrasted with black and white uniforms, holograms and other futuristic elements.
This is not your average Interceptor.
What’s wrong with the The Director’s Cut. Oh, these freaking DC… It was released in 2004 and sadly it confirms that – with the exception of barely few scenes – Lucas lost the understanding of his own movie. He used the same approach as in Star Wars prequels with too much CGI out of place, thus many scenes were needlessly modified with new graphics, the corridors were extended (why, George? Why do we need extended corridors?) and extra space and colours added. Here‘s the full comparison and additional info here too. Several GIFs below (this may look fine out of context though):
Copy-pasted humans and extended corridors of the infamous Director’s Cut.
Few words about the acting. Robert Duvall (born in 1931) is an interesting guy. He reminds me of Harry Dean Stanton (born in 1926), an incredibly talented American actor, who has made about 100 movies since 1956, including such titles as ”Alien”, ”Repo Man”, three David Lynch’s movies, ”Escape From New York”, ”Paris, Texas” and a literally lots of other stuff, yet the man never became a big star, staying in the shade of his colleagues.
So what has Stanton to do with Duvall? Well, both are those type of actors that we all have probably seen dozens of times (”MASH”, ”Deep Impact”, ”The Godfather 1/2”, ”Falling Down”) but struggle to recognize. So while Duvall certainly got more notoriety over the decades and received some important awards, his fate is somewhat similar compared to the Hollywood’s major stars and he is often overlooked. In ”THX 1138”, the man creates a wonderful and powerful performance, that ranges from emotional overload and despair to escapism, protest and silent consent. A very versatile role indeed.
Donald Pleasence (Carpenter’s ”Halloween”, Polanski’s ”Cul-de-sac”) was also wonderful as a psychotic and neurotic dweller of this huge underground
world hospital. His characters was more one-sided than Duvall’s and that was a good contrast.
Maggie McOmie’s role as LUH felt a little bit underdeveloped given that it was her character that gave THX 1138 (the person, not the film!) a major input… She did not pursue an acting career after finishing ”THX 1138”.
Worth watching? ”THX 1138” may seem overly slow and artsy at a glance, but nevertheless it’s a visually striking and original dystopia with various elements to be found in many forthcoming science fiction movies of all kinds. Wonderful performances from Robert Duvall and Donald Pleasence, gorgeously sterile visuals, story’s depth and a well-developed deadened underground world prove that there were times when George Lucas was as a talented and original filmmaker.
Watch also: dystopia is a good genre for experimenting and many filmmakers used that to create something unorthodox, like amazing ”A Boy and His Dog”, poetic ”Fahrenheit 451” or absurd Soviet masterpieces”Kin-Dza-Dza!” and ”City Zero”.