Frankenstein (1931)

Poster - Frankenstein_02Director: James Whale. Starring: Boris Karloff, Colin Clive, Mae Clarke, John Boles. USA, 1931. Budget: $262,007. Box office: $12 mln. IMDB: 7.9. My rating: 4/4. A classic horror tale.

– Look! It’s moving. It’s alive. It’s alive… IT’S ALIVE!
(Henry Frankenstein)

– Would you like one of my flowers? You have those and I’ll have these. See how mine float.
(Little girl talking to the monster)

– The brain which was stolen from my laboratory… was a criminal brain.
(Dr. Waldman)

– That body is not dead. It has never lived. I created it. I made it with my own hands, from the bodies I took from graves, from the gallows.
(Henry Frankenstein)

There is some very primordial feeling in “Frankenstein”. A fear not so much of the unknown, but rather of something (and this word, “some – thing” is crucial here) non-understandable, incomprehensible, irrational. Unlike most post-70’s horror classics (although I am not such a big horror conoisseur), it is not driven by purely evil instincts which normally include only chase, torture and murder, but has a more human face and body. Human soul? Good question. But body – yes, even if it comes in artificially combined limbs and organs. Like a caged animal, it retreats or attacks. Caged in by humans. And created by humans, too.

The background. Tons of literature was dedicated to “Frankenstein” and all that surrounds it. In short, it belongs to so-called Universal Horror films. Officially, it was a period between 1923 and 1960, although it was the Classic Period (roughly 1930-1946) when the best movies were made, like:

You can read in short about the most important things of the Classic Period here.

Two rival actors, Bela Lugosi and Boris Karloff played a crucial role in establishing the success of the new world of horror and often starred together (Lugosi was even initially casted as the monster in “Frankenstein”, but refused the role claiming that playing the monster is too low for such an artist). What’s interesting, both actors and the director were expats – Boris Karloff and James Whale were British, Lugosi was Hungarian.

stillAnnex - Clive, Colin (Frankenstein)_NRFPT_01

What I liked. So let me develop my initial thought. Most post-70’s Western horror movies create the suspense by jump scares – the film is not showing the fear source for a while and that is followed by an unexpected attack. For example, often the modern Asian horror works, for the most part, in a different way, the atmosphere itself is the swamp of fear you’re drowning in; the shock moment, although important, is not decisive. So if you want a simple comparison. “Frankenstein” was clearly shot in the vein of modern (last 20-30 years) Asian horror, like most pre 70’s horror movies in general.

So if we have to compare, say, “Invasion of the Body Snatchers” (1956, an amazing sci-fi metaphorical horror with social subtext, one of my all-time favourite movies) and post-Halloween slashers, “Frankenstein” is definitely closer to the first one. It’s not a movie you’d watch just to get some adrenaline. In first place, it’s a wonderful story to follow with a gloomy atmosphere.

There is a great book “Of Mice and Men”, probably one of most beautifully painful novels ever. In case you haven’t read it, here’s the story. Two migrant field workers are in California on plantations during the years of Great Depression—George Milton, a smart but uneducated fellow, and Lennie Small, a bulky and strong giant with a mind of a child, mentally disabled. As the events unfold, we see that probably there is no place in this rational world for such people as Lenny. What it had to do with the movie? Well, Lenny and Frankenstein share a lot in common. They are portrayed as monsters, but they are just victims.

What I didn’t like. It is clearly visible that the film was shot in a studio with paper backgroungs and that distracted me a little in several important episodes. I wonder why nobody took care of the film and did a proper restoration instead of shooting useless remakes like “Victor Frankenstein” (2015, with James McAvoy, Daniel Radcliffe) – these things are easy nowadays, just look what George Lukas did with his “THX 1138“. Then there were some occasional weird video editing cuts, but that’s a minor complaint.

Worth watching? Absolutely. “Frankenstein” is a great story. I have enjoyed the film much more than I expected (and my expectations were already high!). And it’s awesomeness lies not only in the everlasting influence, as it often happens with older movies. Just like “Metropolis“, “Frankenstein” doesn’t feel dated. A gloomy gothic atmosphere (hi, Guillermo del Toro), wonderful acting – especially Boris Karloff who portrayed not just a monster but a complex character – and beautiful photography.

The primordial inner shiver definitely works on multiple levels here.





Alien / goofs

I’ve always considered this film to be a perfect one (and still think so), just these 2 shots bother me each time I see them… The doll of Ash on the left should have been done way more carefully.

Event Horizon

Director: Paul W. S. Anderson. Starring: Sam Neill, Laurence Fishburne, Kathleen Quinlan. USA, 1997. Budget: $60 mln. Box office: $27 mln. IMDB: 6.7. My rating: 3/4. Sci-fi/horror/thriller in deep space.

– Where we’re going, we don’t need eyes to see.
(Dr. Weir)

– You will never be alone anymore. Now you are with me. I have beautiful things I want to show you.
(Dr. Weir’s dead wife)

Darkness, space, hell, madness and obscurity. Such a cheerful company. Welcome on board of the “Event Horizon”.

Before Paul Anderson entered the endless Resident Evil epos, he did some other notable films as well, like “Mortal Combat” and “Event Horizon”. We all know how his films look, right? I suppose almost every teenager (well, I speak mostly for boys) had a period, when he is eager to watch stuff about zombies, strange creatures, space and stuff. So what happens when these boys grow up? Some make movies, others watch them. Mostly, without being too serious about it. If there is a movie for each occasion, so for me these movies are perfect to watch late on a Friday, when the brain protests against any kind of work. Or after a late party, when you come home late but still not sleepy. But… “Event Horizon” is not exactly what you would expect from a typical Paul Anderson’s film.

It’s also has a very curious and bleeding produciton history, probably one of the best I’ve ever read together with ”The Island of Dr. Moreau”.


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Peter Stormare / Constantine

While “Constantine” wasn’t a perfect movie, Peter Stormare’s performance there was a true delight, as always.

stormare constantine

It’s funny though that in a Keanu Reeves’ film – Tilda Swinton, Rachel Weisz and Peter Stormare weren’t even mentioned on the posters – he was easily outplayed by their performance. I think the best Stormare’s role was as a cold-blooded weirdo in “Fargo”, and that was wa-ay different from “Constantine”.

stormare fargo

Well, Reeves’ eternally doleful and dismal face expression barely changes from one movie to another. But we can forgive this guy everything for “The Matrix”, don’t we?

Kong: Skull Island

kong-skull-island-posterDirector: Jordan Vogt-Roberts. Starring: Samuel L. Jackson, John Goodman, John C. Reilly, Tom Hiddleston, Brie Larson. USA, 2017. Budget: 185 million. IMDb rating: 6.9. My rating: 2.5/4. Giant gorilla vs. giant everything.

– Kong’s a pretty good king. Keeps to himself, mostly. This is his home, we’re just guests. But you don’t go into someone’s house and start dropping bombs, unless you’re picking a fight.
(John C. Reilly’s character)

It’s interesting to note once again the Hollywood’s tendency of last years to invite young indie directors for blockbuster production – Garreth Edwards/Star Wars, Colin Trevorrow/Jurassic World, James Gunn/Guardians of the Galaxy – probably hoping they will deliver a fresh breath.

And forget the bearded romantic from New Zealand, who was responsible for his own beautiful and canonical version of King-Kong. Peter Jackson, of course, was relying on the classical King-Kong story of 1933, even though with a more modern and refreshing approach. New Kong is several times bigger, stronger, more dangerous and more… boring.


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Director: Guillermo del Toro. Starring: Mira Sorvino, Jeremy Northam, F. Murray Abraham, Giancarlo Giannini. USA, 1997. Budget: $30 million. IMDb: 5.9. My rating: 3/4. Gothic gloomy tale about giant bugs vs humans with incredible visuals.

– How come you love bugs so much?
– These guys were building castles while dinosaurs were still wimpy little lizards.
(Mira Sorvino’s character about her passion)


I must confess that I approached “Mimic” with some kind of suspicion. I adore Guillermo del Toro. He is an incredible artist with unique visual style, but being just his second feature film (“Cronos” was the first one and it had good critical success, by the way), I had a doubt that it wasn’t already that Guillermo del Toro we all know and love. It’s also his lowest rated movie on IMDb. Damn, I couldn’t have been more wrong. A thousand apologies. Darkness blended with acid colours, gothic gloom in Victorian style, church-like sewers, unborn creatures, gore and blood. Pure joy for the heart. Continue reading


Directors: Aaron Moorhead, Justin Benson. Starring: Lou Taylor Pucci, Nadia Hilker, Francesco Carnelutti. USA, 2014. IMDB: 6.7. My rating: 4/4. Love horror deconstruction.

– Just because you haven’t seen something before, it doesn’t mean springit’s supernatural
(a dialogue between Louise and Evan)

Justin Benson and Aaron Scott Moorhead continue to trick the viewers with their second film and deconstruct the movie genres, now in a very romantic and sweet way. “Spring” is irresistible from the very beginning to the last frame. Just like the main characters of the movie, it enfolds you with charming and genuine story. And like “Resolution”, their previous movie, it’s more of a mystery, than horror. Continue reading

Attack The Block

Director: Joe Cornish. Starring:  Jodie WhittakerJohn BoyegaNick Frost, Luke Treadaway. UK, 2011. Imdb: 6.6. My rating: 3.5/4. Black comedy with alien invasion in London suburbs.

– No idea. Not a bloody clue. Maybe there was a party at the zoo, and a monkey fucked a fish. 
(Ron about the alien the boys found)

– You’re quite fit you know? Have you got a boyfriend?
– Yeah.
– You sure about him? Where is he? Cos he ain’t exactly lookin’ out for you tonight. — He’s in Ghana.
– You going out with an African then?
– No… he… he’s helping children. Volunteers for the Red Cross.
– Oh… is it? Why can’t he help children in Britain? Not exotic enough is it? Don’t get a nice suntan. Tsst.
(conversation between two teens)

This one is a true gem with British flavour. A lovely movie indeed and it’s much more than it seems. It’s kind of a bad street teenager with rough manners, but good at heart, sentimental and ready for the next adventure. The story starts with a teenage street gang of mixed race in South London suburbia – they find themselves right in a middle of an alien invasion. So i20170205_210824magine mixing the life and language of street teenagers who try to seem cool and control, as they believe, through fear and minor crimes, with the sudden attack of the monsters. Hilarious, scary, atmospheric and sentimental. And all that wrapped in a social context. Continue reading