Sexism in modern cinema / Valerian & Wonder Woman costumes

Let’s start at the very end…

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Now let me explain how I came to this…

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Jumanji 2 / childhood tales mutating into mindless blockbusters

Another tale of the childhood is turning into a mindless blockbaster. Directed by the guy who did “Sex Tape” and “Bad Teacher”. Why!?

I know, I know – the first one could be also considered a blockbuster with CGI animals and a decent $65 million budget. Pardon my nostalgia rant. However…

…it had an original time-reversing plot with love story that made sense and was believable.

…it had the director Joe Johnston who has worked as effects artists on the original Star Wars trilogy and art director two Indiana Jones movies and you could easily feel that influences in Jumanji too. Maybe it was a blockbuster, but at least it didn’t feature trivial sexist jokes like here:

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If “Jumanji 2” was a genre deconstruction like “Cabin in the Woods”, this would have made sense. Sadly, it doesn’t.

…and it had Robin Williams.

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Now we have another obtuse action-based blockbuster with dick jokes. Hell, they even don’t roll the dice since there’s no board (the final scene of Jumanji actually had a clue that the original board wasn’t destroyed). And what is the audience of this movie? The teens didn’t watch the first part. Those who did would be barely interested in this reboot.

Maybe I am just too old for this shit and don’t get something?

“What, are you crying? You don’t cry, all right? You keep your chin up. Come on, keep your chin up. Crying never helped anybody do anything, okay? You have a problem, you face it like a man.” (Alan Parish, Jumanji, 1995)

P. S. Express Elevator to Hell movie blog made a hell of an analysis about the modern blockbuster culture and how they influence smaller films here. Check it, it’s really worth reading.

Peter Stormare / Constantine

While “Constantine” wasn’t a perfect movie, Peter Stormare’s performance there was a true delight, as always.

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It’s funny though that in a Keanu Reeves’ film – Tilda Swinton, Rachel Weisz and Peter Stormare weren’t even mentioned on the posters – he was easily outplayed by their performance. I think the best Stormare’s role was as a cold-blooded weirdo in “Fargo”, and that was wa-ay different from “Constantine”.

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Well, Reeves’ eternally doleful and dismal face expression barely changes from one movie to another. But we can forgive this guy everything for “The Matrix”, don’t we?

Kong: Skull Island

kong-skull-island-posterDirector: Jordan Vogt-Roberts. Starring: Samuel L. Jackson, John Goodman, John C. Reilly, Tom Hiddleston, Brie Larson. USA, 2017. Budget: 185 million. IMDb rating: 6.9. My rating: 2.5/4. Giant gorilla vs. giant everything.

– Kong’s a pretty good king. Keeps to himself, mostly. This is his home, we’re just guests. But you don’t go into someone’s house and start dropping bombs, unless you’re picking a fight.
(John C. Reilly’s character)

It’s interesting to note once again the Hollywood’s tendency of last years to invite young indie directors for blockbuster production – Garreth Edwards/Star Wars, Colin Trevorrow/Jurassic World, James Gunn/Guardians of the Galaxy – probably hoping they will deliver a fresh breath.

And forget the bearded romantic from New Zealand, who was responsible for his own beautiful and canonical version of King-Kong. Peter Jackson, of course, was relying on the classical King-Kong story of 1933, even though with a more modern and refreshing approach. New Kong is several times bigger, stronger, more dangerous and more… boring.

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Dr. Strange

Director: Scott Derrickson. Starring: Benedict Cumberbatch, Chiwetel Ejiofor, Rachel McAdams, Tilda Swinton, Benedict Wong, Mads Mikkelsen. USA, 2016. IMDb: 7.6. My rating: 2.5/4. Marvel superhero flick, this time with magic.

– Well, what’s this? My mantra?doctor-strange-poster
– The Wi-Fi password. We’re not savages.
(conversation between Dr. Strange and a monk)

The never sleeping guys from Marvel continue to expand its cinematic universe, this time with the introduction of magic and Benedict Cumberbatch. As usually, “Dr. Strange” gives us exactly what is expected from an average Marvel film – awesome effects, humour, not much gore, cynical but good-hearted main hero and an overall charming feel of a little marvel. Maybe it doesn’t reach the heights set by the first “Avengers” or “Iron Man”, but lots of fun and entertainment are guaranteed.

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Still, I feel that ”Dr. Strange” got way too much praise than it actually deserved. Continue reading

Arrival

Director: Denis Velleneuve. Starring: Amy Adams, Forest Whitaker, Jeremy Renner. USA, 2016. IMDB: 8.0. My rating: 4/4. Science fiction poetry.arrival

– If you could see your whole life from start to finish, would you change things?
– Maybe I’d say what I felt more often. I-I don’t know.
(conversation between main characters)

Arrival is a beautiful reminder that when we gaze at the stars we actually look at ourselves. Shot mostly in dark colours, it is full of internal light. It is a poem, a reflection, a meditation. A story about the most valuable things we have, our fears and desires. About humility, our (in)ability to hear each other and what makes us human. The visual style of the movie tries to bring up Tarkovski’s movies – and not many modern science fiction movies can be proud of that. Still, ”Arrival” combines that in a modern and accessible way that makes the film not an art-house experiment but rather a story for all of us, if we let it in our heart. ”Arrival” is that kind of film that even though not perfect but it makes you feel ashamed for having even a slightest intention to criticize it.

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Passengers

passengers_ver2Director: Morten Tyldum. Starring: Jennifer Lawrence, Chris Pratt, Michael Sheen, Lawrence Fishburne. USA, 2016. IMDB: 7.0. My rating: 1.5/4.

– Jim, these are  not robot questions.
(Arthur, the robot-barman)

– We were woken too soon… Ninety years too soon!
– We have too go back to sleep!
– We can’t!
(typical dramatic dialogue between main characters)

A second movie in Hollywood by a Norwegian director Morten Tylden, who made great and brutal “Headhunters” (which I highly recommend, a thriller with really Norwegian spirit) and his most famous film “Imitation Game”, both received well on various festivals and public. Tyldum mentioned few years ago that he has been dreaming to make a sci-fi movie for a long time. Did he manage to do it well? Barely.

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