Director: Darren Paul Fisher. Starring: Daniel Fraser, Eleanor Wyld, Owen Pugh. UK, 2013. Budget: unknown, but very low. Box office: unknown. IMDB: 6.8. RT: 100%. My rating: 1.5/4. Romantic girly YA movie pretending to be hard science fiction.
– Sex is like masturbation, just with someone else.
– I hope not.
(conversation between Marie and Zak)
– I have a 210 I.Q. I never needed to take notes. I just didn’t want to always have to look at people or have them looking at me. It’s the eyes.
It may actually took a while to figure out what is wrong with “Frequencies”. The photography is solid, the dialogues ate witty, the acting is trustworthy and the concept may seem intriguing. Quiet high ratings for such a low budget British movie. But… it just doesn’t work all together. For a not high demanding viewer that doesn’t ask too many questions, “Frequencies” may seem fine. But after a deeper look, it’s easy that it is just another shallow YA movie, this time without a big budget. The whole construction of the movie starts falls apart rapidly. “Frequencies” suffers from a typical disease of being too ambitious, hence trying to say too much and as a result saying little.
The plot. What we have here? An alternative version of the world, where each person has a special frequency. It totally decides your destiny – those with high frequency will never be late for a train, get a bad job offer or spill a cup of coffee (and vice a versa). The whole society is divided from early school years in different groups based on each person’s frequency. Accidentally a boy (Daniel Fraser) with one of the lowest frequencies ever falls in love with a girl (Eleanor Wyld) with a uniquely high frequency. Can he find a way to stay with her?
After a good start, instead of developing more main characters and telling us more about frequencies and the dystopian (utopian?!) world, the movie is piled up with unnecessary elements. None of which are truly original or well explored, mostly being borrowed elsewhere. Examples? For a few minutes we are introduced to a character who learnt how to foresee the future – this idea is never repeated again. Then, main characters manage to invent a special machine that can alternate frequencies if special words are pronounced. What is it, science fiction or Harry Potter? (I have nothing against Harry Potter, by the way). Then we learn that these magic words cause a side effect (and it’s rather silly). Later, we are introduced to the music concept – music somehow equalizes different people’s frequencies. To make it even worse, the plot even introduces a conspiracy based society. And trust me, there’s much, much more…
With this kind of a realization, the main concept seems even more superficial. Finally, what is this frequency? Is it your destiny? So what will happen if somebody with a high frequency and a low frequency go to catch the train at the same time? The movie never explores even an idea that simple, let alone how the whole society works.
The reception. The film currently has 100% on Rotten Tomatoes (which I find weird). It didn’t win any major awards on independent film festivals except for Kansas City FilmFest.
Worth watching? Not really. “Frequencies” may impress those who haven’t seen many good films as technically it is a well done movie. But dig deeper and you’ll recognize that it looks more like a shallow gimmick than a good-hearted story it intended to be. After all, it’s one more YA romantic story about a divided society, two teens who cannot be together for some reason (frequencies, in this case) and try to change their destiny.
Don’t fool yourself with the sci-fi wrapping – there’s very little of it. The more you deconstruct the film, the more it starts to fall apart. Surprisingly, the messed up plot, good photography and very decent acting may mask the flawed concepts pretty well (hence high ratings), but as you peel deeper there’s little inside. At its best, “Frequencies” can deliver some witty lines.
Pathos level: high
Final vote: 1.5/4
Watch instead: “The Lobster” for wry and deadpan humour about our society norms and a couple relationship’s dissection, sentimental “Fahrenheit 451” by Francois Truffaut is a curious old dystopia based on Ray Bradbury’s novel, “THX-1138” for minimal and deadly visuals, “Gattaca” for a futuristic take on humanity, “Sunshine” for space dystopia, “Moon” for a minimal thought-provoking futuristic dystopia.
But if you really want to understand why I was so harsh with “Frequencies”, have a look at “Dead Man’s Letters” and “Stalker“. These movie are meaningful and touching, but never manipulating… never having so much vicious excess.