Starship Troopers

Starship Troopers” is way more subtle that may seem during the first viewing. I’ve watched it multiple times… the first time was at the tender age of 7, and I am still under its spell. Wonderful analysis, Jaime Rebanal.

”….it only ends up reinforcing its own cleverness here because if this is all that one sees, then a viewer has indeed bought into the propaganda that Starship Troopers has designed itself to “sell.” It sells a shallow idea that humans are good and aliens are bad, but because of the glamor present within the image, the exciting nature of the action sequences even becomes deceiving in the most clever manner.”

Works like a propaganda film, reflecting another sort of truth.  (✯✯✯✯✯)

Full post here: Starship Troopers – Review — Jaime Rebanal’s Film Thoughts

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Update.  Love this comment by The Celtic Predator of Express Elevator to Hell Blog:

”Something I discussed ad nauseum in my review of this film is how much flack it gets from fans of the Robert Heinlein novel it’s supposedly adapting. While Verhoeven’s nth hyper-violent social satire was undercut upon release by critics who ironically swallowed its fascist propaganda at face value, as you noted above, most of the ensuing criticism of this film I’ve encountered in the 20+ years *since* it’s release has been from bibliophiles, not cinephiles. You know how book-lovers are — they treat their source material like Scripture.

Look up Robert Heinlein if you haven’t already. He had the opposite life experiences of Paul Verhoeven, and most of his military predictions have come true in Western democracies, e.g. all volunteer service, male and female combat personnel, etc. He also had a rather privileged upbringing, served as an officer in the US Navy, and to my knowledge never saw combat in a foreign war — a stark contrast from Verhoeven’s childhood under Nazi occupation.”

Attack The Block

Director: Joe Cornish. Starring: Jodie Whittaker, John Boyega, Nick Frost, Luke Treadaway. UK, 2011. Budget: $13 mln. Box office: $5.8 mln. IMDb: 6.6. RT: 90%. My rating: 3.5/4. A fucked up version of E.T.

attack the block posters

– No idea. Not a bloody clue. Maybe there was a party at the zoo, and a monkey fucked a fish.
(Nick Frost’s character about the alien the boys found)

– You’re quite fit you know? Have you got a boyfriend?
– Yeah.
– You sure about him? Where is he? Cos he ain’t exactly lookin’ out for you tonight.
– He’s in Ghana.
– You going out with an African then?
– No… he… he’s helping children. Volunteers for the Red Cross.
– Oh… is it? Why can’t he help children in Britain? Not exotic enough is it? Don’t get a nice suntan. Tsst.
(conversation between two teens)

attack-the-block-poster-1-638

This one is a true gem with a distinctive British flavour. A lovely movie indeed and it’s much more than it seems. It’s kind of a bad street teenager with rough manners, but with a good heart buried deep inside, sentimental and ready for the next adventure. The story starts with a teenage street gang of mixed race in South London suburbia – they find themselves right in a middle of an alien invasion. So i20170205_210824magine mixing the life and language of street teenagers who try to seem cool and control, as they believe, through fear and minor crimes, with the sudden attack of the monsters. Hilarious, scary, atmospheric and sentimental. And all that wrapped in a social context.

Dedicated to all fans of Cornetto trilogy (the director Joe Cornish is a long-time collaborator and friend of Frost, Pegg and Wright).

attack-the-block

”Maybe there was a party at the zoo, and a monkey fucked a fish.”

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Like in most good sci-fi, the aliens are just a premise for something bigger. The gang members, who l20170205_210726ook rather unpretty in the beginning of the movie when mugging a nurse (and most of them are barely 15 years old), start to gain our sympathy and trust. They learn how to find their own voice and character, to surpass their previous social and ethnic prejudice. I would even dare to say that it makes the film pretty unique. There are plenty of movies where some bad guys are locked up in a place and are forced to protect it and then finally we start to like them more and more (Hi, John Carpenter!). But these kids are not just some c20170205_212226onvicted murderers in prison. They are real teenagers who live in that way, for one reason or another. And you have a chance to see them in a unique environment with aliens and stuff. Even leaving aside all the social context, this is a wonderful and entertaining sci-fi movie.

Surprisingly great acting by mainly unknown to me actors (except of Nick Frost… plus I wrote this review around January 2017, when John Boyega wasn’t fighting one more time against the Dark Side!). If you enjoyed such movies as ”Shaun of the Dead” and ”Hot Fuzz”, then for sure don’t miss this one (by the way, Nick Frost starred in all of them). The effects look great and the monsters’ design is awesome. Minimal, but extremely effective. Here it is:
attack-the-block-poster-glow-in-the-dark
Interestingly, this is a debut for both director Joe Cornish and (now famous) John Boyega. Jodie Whittaker has made since then a great appearance in one of my favourite ”Black Mirror” episodes – ”The Entire History of you”. It had a great reception on festivals and from critics. $13 million budget with $5.8 million box office.

By the way, Cornish 20170205_212135describes ”Attack the Block” as “a fucked-up version of E.T.” (one of movies that influenced him most). He is right, it’s pretty fucked up, and it gets quite bloody and violent at times as well. But like I said, remember that street boy. He might be not what he seems, just give him time.

 

Acting:  3.5/4
Spectacularity: 3/4
Originality: 4/4
Pathos level: very low
Final vote: 3.5/4

Some cool fan-made posters:

 

Liquid Sky

Director: Slava Tsukerman (also co-writer, co-producer). Starring: Anne Carlisle, Paula E. Sheppard, Otto von Wernherr, Bob Brady, Sousan Doukas. USA, 1982. Budget: $500,000. Box office: $1.7 mln. IMDb: 6.1. RT: 94%. My rating: 2.5/4. A crazy dive into the 80-s punk, new wave and fashion youth subcultures in New York with an unexpected alien visit.

– Young people with no faith in their heart must be punished; but there are more creative ways of doing that and such film as “Liquid Sky” is a prime example of this.
(Michelle King)

– Come on, teach me. Are you afraid? You’re right, because they’re all dead. All my teachers.
(Margaret, one of the film’s main main characters)

– I’m sorry, but duty is more important than shrimps.
Oh. Well, the duty is yours, the house is mine. And in my house, shrimps are more important than duty.
(The German scientist is being seduced)

Sometimes remembering the experience of watching a film provides more enjoyment than actual viewing, and Slava Tsukerman’s first foreign experience may be a good example of it (and, to some extent Alex Cox’ cult film “Repo Men” – both films share a lot in common, even if the latter is much an easier watch for an unexperienced viewer).

“And I am androgynous not less than David Bowie himself. And they call me beautiful, and I kill with my cunt. Isn’t it fashionable?”

The first 30-40 minutes of the film captivate you with its striking origininality, an attempt to express the feeling of alienation through real aliens and a dive into a sexual androgyny that was widely discussed in the media at the time. However, later the films starts to replicate itself, and the middle part is just overly long, even if the final episode proves to be quite a big satisfaction.

New wave and punk scenes that celebrated themselves, sex predation and drug addicts, sexual promiscuity and fashion industry, aliens and alienation – all these wonderful elements intertwine into one hallucinating mix in “Liquid Sky“. This independent film, created on a rather small budget ($500,000), quickly acquired a cult status among cinephiles of that time and was well received by American critics, and it’s no wonder – imagine Andy Warhol shooting some cheesy 50-s science fiction, because this is how “Liquid Sky” looks like.

“Me and my rhythm box! Me and my rhythm box!”

Glam and decadance. The film made a certain effect when released and was even profitable. Many call it a cult. Now, from my unbiased-2017-point-of-view the film seems to be slowly fading into oblivion, just like “Hardware“… However, if you browse across the web, there are various references to the film here and there, or even inspired photoshoots or mockery:

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The plot. A tiny alien spaceship (imagine the size of a salad bowl) lands in New York, right above the house or Margaret, once a well-behaving girl from Connecticut and now an aspiring bisexual model (by Anne Carlisle, who did a double role in the film). The bodiless visitors don’t interact with humans, their aim is unknown. However, a German scientist Johann, another alien in the Big Apple, seems to have a theory – invisible aliens thrive on a substance produced by the human brain during the orgasm, which they manage to extract from the victim, killing it in the process. Margaret, who is going deeper and deeper into the downward spiral of promiscuous sex and violence, grasps this concept quicky and starts to use it for her own benefit…

The film is shot in a totally deadpan manner with a little amount of humour. Apathy and indifference prevail the minds of this self-absorbed youth, and that is supported by a gloomy monotone synth soundtrack and flamboyant, acid colours and designs.

Worth watching?Liquid Sky” is a particular film, not in good or bad sense of the word. I love weird slow stuff. I enjoyed some early Harmony Korine’s film (“Gummo“). But with this… I felt that there was more style than substance, and that’s the case when you need to love the style to enjoy the film. So I cannot recommend it directly to anyone due to its prevailing sense of otherness and dazzling individuality – decide by yourself. Played mostly by non-professional actors and shot by newly arrived in New York Russian immigrants-filmmakers (hence the dominating sense of an alienation, probably?), it’s a time capsule of the New York club scene of the 80-s and shows many kinks many of us could’ve never imagined, and does it from an unusual perspective. Finally, this is why we watch the movies, isn’t it?

“Liquid Sky” is one of the favourite films of Nicholas Winding Refn (who directed one of my all-time favourites “Drive“, plus he did a confusing flick called “The Neon Demon“…), among “Suspiria“, “Videodrome“, “La Dolce Vita” and some others. All these movie are well-known for their style domination. Have you seen anything the Danish director did? 😆

Spectacularity: 2.5/4
Acting:  ?
Directing: 2/4
Originality: 4/4
Final vote: 2.5/4

P. S. Здесь красочное интервью на русском языке.

Top 10 Soviet Science Fiction Movies

Here is my Top 10 Soviet sci-fi movies with a dozen of modern trailers I made specially for it while studying some video editing.

†1924-1988 selection.

Beautiful new ambient, shoegaze, dreampop, synthpop and techno soundtracks included.

 

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1. ”Stalker”, 1979.

A cerebral timeless masterpiece by Andrei Tarkovsky, probably the most renowned and influential Soviet/Russian director. Loosely based on a story by important Soviet science fiction writers Strugatsky brothers (and seen by many as a prophecy for several upcoming catastrophes including Chernobyl), “Stalker” could be interpreted as a philosophical tale about destiny and choices. But there’s much more that that. It’s simply one of the most important cinema achievements ever, let alone science fiction. The story follows three men as they penetrate deeper into into a mysterious area called “The Zone”, each of them for a different purpose. A thinking sci-fi geek’s must-see. This movie is like a Universe, there are always new layers to discover. Read more here and here.

Music by Bowery Electric.

2. ”City Zero”, 1988.

Theatre of the absurd, a mysterious tragicomedy, a dark metaphor. The late 80-s, without doubt, were the most prolific period for the underground culture in Soviet Union, especially rock music but also cinema. ”City Zero” is the finest dark offspring of that epoch. The film is normally classified as sci-fi/mystery – but if you analyze every single scene separately, there’s nothing completely impossible. It’s the sum of all parts that is greater than the whole… The famous headcake scene actually happened once in Russia. But looking at the whole story makes you feel like slowly drowning in the swamp… It’s kind of ”Donnie Darko” goes on ”Mulholland Drive” in ”The Twilight Zone” atmosphere. My full review here. Watch online here.

Music by Auktyon (Аукцыон).

3. ”Dead Man’s Letters”, 1986.

Directed by K. Lopushansky, surely the most faithful of all Tarkovsky’s followers (he worked as assistant on ”Stalker” set), this film is a heavy and realistic portrayal of the end of the world. Endless piles of rusty metal, interminable yellow twilight, dirty radioactive puddles of mixed water and blood. And dead bodies. Dead bodies everywhere. Men, children, women. Everywhere. There is no hope here. It’s finished. There is no ”if”. The doomsday clock has moved. We are just witnessing the final decay of small group of survivors that will last several months, probably. There is not even a single hint about their survival. It’s a death rattle. Just a matter of time. My full review here. Watch online here.

Music by Ital Tek.

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Alien / goofs

I’ve always considered this film to be a perfect one (and still think so), just these 2 shots bother me each time I see them… The doll of Ash on the left should have been done way more carefully.

10 Cloverfield Lane

Director: Dan Trachtenberg. Producer: J. J. Abrams.Starring: John Goodman, Mary Elisabeth Winstead, John Gallagher Jr. USA, 2016. IMDb: 7.2. My rating: 4/4. Exemplary sci-fi thriller.

– It’s the end of the world and he’s upset about a dead pig.cloverfield-lane
(one of the main characters)

“10 Cloverfield Lane” will beat you up, drag down the stairs and then suddenly act like an old friend who will tell you some good jokes and offer a few beers. Just to beat you up to death again 10 minutes later. And with all due respect to Dwayne Johnson, it’s John Goodman who should be called The Rock. Damn. It’s such a relief to finally see a great thriller, one of the most abused genres probably. And a good sci-fi thriller is even a more rare specimen.

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Arrival

Director: Denis Velleneuve. Starring: Amy Adams, Forest Whitaker, Jeremy Renner. USA, 2016. IMDB: 8.0. My rating: 4/4. Science fiction poetry.arrival

– If you could see your whole life from start to finish, would you change things?
– Maybe I’d say what I felt more often. I-I don’t know.
(conversation between main characters)

Arrival is a beautiful reminder that when we gaze at the stars we actually look at ourselves. Shot mostly in dark colours, it is full of internal light. It is a poem, a reflection, a meditation. A story about the most valuable things we have, our fears and desires. About humility, our (in)ability to hear each other and what makes us human. The visual style of the movie tries to bring up Tarkovski’s movies – and not many modern science fiction movies can be proud of that. Still, ”Arrival” combines that in a modern and accessible way that makes the film not an art-house experiment but rather a story for all of us, if we let it in our heart. ”Arrival” is that kind of film that even though not perfect but it makes you feel ashamed for having even a slightest intention to criticize it.

20170329_013106 Continue reading