Starship Troopers

Starship Troopers” is way more subtle that may seem during the first viewing. I’ve watched it multiple times… the first time was at the tender age of 7, and I am still under its spell. Wonderful analysis, Jaime Rebanal.

”….it only ends up reinforcing its own cleverness here because if this is all that one sees, then a viewer has indeed bought into the propaganda that Starship Troopers has designed itself to “sell.” It sells a shallow idea that humans are good and aliens are bad, but because of the glamor present within the image, the exciting nature of the action sequences even becomes deceiving in the most clever manner.”

Works like a propaganda film, reflecting another sort of truth.  (✯✯✯✯✯)

Full post here: Starship Troopers – Review — Jaime Rebanal’s Film Thoughts

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Update.  Love this comment by The Celtic Predator of Express Elevator to Hell Blog:

”Something I discussed ad nauseum in my review of this film is how much flack it gets from fans of the Robert Heinlein novel it’s supposedly adapting. While Verhoeven’s nth hyper-violent social satire was undercut upon release by critics who ironically swallowed its fascist propaganda at face value, as you noted above, most of the ensuing criticism of this film I’ve encountered in the 20+ years *since* it’s release has been from bibliophiles, not cinephiles. You know how book-lovers are — they treat their source material like Scripture.

Look up Robert Heinlein if you haven’t already. He had the opposite life experiences of Paul Verhoeven, and most of his military predictions have come true in Western democracies, e.g. all volunteer service, male and female combat personnel, etc. He also had a rather privileged upbringing, served as an officer in the US Navy, and to my knowledge never saw combat in a foreign war — a stark contrast from Verhoeven’s childhood under Nazi occupation.”

6 thoughts on “Starship Troopers

  1. Something I discussed ad nauseum in my review of this film is how much flack it gets from fans of the Robert Heinlein novel it’s supposedly adapting. While Verhoeven’s nth hyper-violent social satire was undercut upon release by critics who ironically swallowed its fascist propaganda at face value, as you noted above, most of the ensuing criticism of this film I’ve encountered in the 20+ years *since* it’s release has been from bibliophiles, not cinephiles. You know how book-lovers are — they treat their source material like Scripture.

    Look up Robert Heinlein if you haven’t already. He had the opposite life experiences of Paul Verhoeven, and most of his military predictions have come true in Western democracies, e.g. all volunteer service, male and female combat personnel, etc. He also had a rather privileged upbringing, served as an officer in the US Navy, and to my knowledge never saw combat in a foreign war — a stark contrast from Verhoeven’s childhood under Nazi occupation.

    Liked by 1 person

    • That is very interesting to know. I’ve always felt that Heinlein is kind of…controversial. I’ve started his “Stranger in a Strange Land” 3 times, and while the first half is brilliant, somewhere in the beginning it becomes absolutely unberable discussion of religion from which you clearly feel what you wrote about his priveleged upbringing.

      Like

  2. I watched this first at a young age as well (I think 9).

    Had a huge crush on Denise Richards, after seeing her in the Bond film, The World is Not Enough.

    At first I watched just to see her haha, and ended up being completely blown away by the whole movie experience! What a gem.

    So subtle with the propaganda theme, and just good filmmaking. My respect for Paul V.

    Liked by 1 person

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