Director: James W. Caradog. Starring: Caity Lotz, Toby Stephens, Denis Lawson, Pooneh Hajimohammadi, Sam Hazeldine. UK, 2013. Budget: $1 million. Box office: $322,000 DVD sales. IMDb: 6.1. My rating: 3.5/4. Noir cyberpunk tale about a thin line that separates humans and A. I.
– How do I know that you’re alive and not just a clever imitation of life?
(one of the main scientists)
”The Machine” beats the recent ”Ghost in the Shell” adaptation with an incredible ease. If it were done in the 80-s, it would have been a cult movie. But it’s a 2013 directional debut by the Welsh director James W. Caradog, so let’s just be humble and categorize it as… almost excellent.
I have often been harsh with independent sci-fi about A. I. There hasn’t been much of it in last decade – I mean, the good one that makes think and feel, like ”Automata’ or ”Ex Machina”. Most of the others failed, taking the easy path of violence like ”A. I. against humans” or puzzles like “guess-who-is-robot-who-is-human”, which I find it incredibly boring.
So I prepared for the worst after watching the trailer of ”The Machine”, but found out something completely different. And it seems not only me. I have no idea why it was promoted (according to the trailer and poster) as an action-based sci-fi about A. I. ”The Machine” unexpectedly turns out to be dense, smart and sensible science fiction, and in the last place it’s about gore and rampage.
The plot. Near future. The West is in state of a Cold War with China. British scientists are working on creating android killing machines that will help in case of a real war that seems inevitable. Implants and artificial limbs for humans are being developed. Ava, a young scientist, joins Vincent in the hidden research facility in the attempt to develop the first self-aware artificial intellect. But they are on the edge of something bigger.
What I liked. ”The Machine” feels like a spiritual sibling of ”Blade Runner”, but consciously done in a harsher way. What surprised me most is that often it felt really scary – and not because of some cheap thrills. It’s because of how well it shows a thin line between humans and androids. Fear of the unknown. Few examples…
- The guards that work as security in this research facility are for the most part wounded or partially disabled war veterans. They were given artificial limbs to substitute missing body parts or special implants that help to recover whatever sense they miss (in case their brain, sight, hearing etc were damaged), but it has certain side effects. Pretty soon they lose the ability to speak – nobody knows why, but a brilliant explanation is given later in the movie – and it seems that they start to have more of the machine than of human.
- As the Machine (the main character) is ”born”, she behaves almost as a normal human, with small subtle differences that feel incredibly weird. There is a brilliant episode when the Machine is thinking that she is smiling to Vincent, but in fact her ”smile” looks like a sinister grin because she doesn’t know how to smile – but she doesn’t realize it, saying that she smiles it in the same way as humans. The Machine doesn’t see the difference, so she heads to the mirror in order to learn how to smile. It looks creepy. This scene alone feels incredibly powerful.
Plus there are many episodes that feel really tense as they show broken, distorted human emotions, as if seen through a broken glass. Very creative and thoughtful approach. ”The Machine” shares a lot with the recent adaptation of ”Ghost in the Shell”, but it explores things in a deeper and more original way. Shame on you, Hollywood.
The acting is much better that one could expect from a $1 million budget directional debut of this kind – and not only from main protagonists Caity Lotz (awesome double role here), Toby Stephens and Denis Lawson, but from incredible background characters as well. Iranian-born Pooneh Hajimohammadi and Sam Hazeldine did especially a great job, portraying people with mutilated and warped senses and emotions, avoiding any kind of cliches that are typical for the genre. Kaity Lotz was very good (nothing to do with awful ”400 Days“), taking the role more seriously than portraying just a newly-created A. I. She managed to show a very wide array of emotions, from childish first steps and mistakes to delusions and learning how to survive in a cruel human world.
The movie is beautiful visually as well. It borrows a lot from “Blade Runner” visual style, and thanks God it does. It never becomes the end in itself though, blending the visuals with the narrative and using them as an integral part of the story. Everything feels organic here. With a tiny $1 million budget the Welsh director James W. Caradog and his team did really a good job. The movie never looks cheap. The synth-based soundtrack gives the warm 80-s feel as well.
What I didn’t like. There are certain moments that feel a little bit like a cliche (mostly the villain part that felt strained), but compared to the overall creativity and thoughtfulness put into the movie, let’s just close eyes to it. Finally, you cannot want everything from such a good debut like here.
Worth watching? Yes. ”The Machine” unexpectedly turned out to be one of the most original and well-crafted movies about A. I. of the last decade. It may not be as delicate and refined as ”Ex Machina” – and we don’t need another ”Ex Machina” anyway, don’t we? – but feels fresh, original and creative. Good old dense cyberpunk with an intense texture and often scary feel. A must-see for anyone who’s into thinking sci-fi.