Month: May 2017

Augmented reality. Day 4. Weakness and strength

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Let them laugh at their passions.

Because what they call passion actually is not part of their soul, but just the friction between their souls and the outside world.

And most important, let them believe in themselves. Let them be helpless like children, because weakness is a giant, and strength is nothing.

When a man is just born, he is weak and flexible. When he dies, he is hard and insensitive. When a tree is growing, it’s tender and pliant. But when it’s dry and hard, it dies.

Hardness and strength are death’s companions. Pliancy and weakness are expressions of the freshness of being. Because what has hardened will never win.

(Stalker, 1979)

Kong: Skull Island

kong-skull-island-posterDirector: Jordan Vogt-Roberts. Starring: Samuel L. Jackson, John Goodman, John C. Reilly, Tom Hiddleston, Brie Larson. USA, 2017. Budget: 185 million. IMDb rating: 6.9. My rating: 2.5/4. Giant gorilla vs. giant everything.

– Kong’s a pretty good king. Keeps to himself, mostly. This is his home, we’re just guests. But you don’t go into someone’s house and start dropping bombs, unless you’re picking a fight.
(John C. Reilly’s character)

It’s interesting to note once again the Hollywood’s tendency of last years to invite young indie directors for blockbuster production – Garreth Edwards/Star Wars, Colin Trevorrow/Jurassic World, James Gunn/Guardians of the Galaxy – probably hoping they will deliver a fresh breath.

And forget the bearded romantic from New Zealand, who was responsible for his own beautiful and canonical version of King-Kong. Peter Jackson, of course, was relying on the classical King-Kong story of 1933, even though with a more modern and refreshing approach. New Kong is several times bigger, stronger, more dangerous and more… boring.

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Space Station 76

space_station76Director: Jack Plotnick. Starring: Liv Tyler, Patrick Wilson, Marisa Coughlan, Matt Bomer. USA, 2014. IMDb: 4.9. Budget: roughly 1 million. My rating: 2.5/4. Retrofuturistic black parody, Jim Jarmusch vs Wes Anderson on a 70-s space station.

– Warning. Dr. Bot must remind Misty not to become… too close to her therapist bot.
– I’ve gotta be close to somebody.
– We must keep this professional.
– Don’t be so cold.
– I must maintain objectivity.
– But I feel like…  I just feel like you and I have really been going through it here, you know? I feel like I have really been connecting with you. You know me.
– Emotion overload.

(Misty visits the robotic psychologist Dr. Bot)

– I’m a leg man, you know?

(a discussion between 2 guys about newly arrive female crew member)

Can you imagine the future with corded telephones and colonies on orbital space stations, VHS cassettes and interstellar travel? If you can’t, Jack Plotnick did it for you. ”Space Station 76” is a 1970-s version of the future that never came.

And “Space Station 76” has one of the best A.I. ever. Seriously.

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Dark Star

dark_star_ver2Director: John Carpenter. Screenplay/story: Dan O’Bannon, John Carpenter. Starring: Dan O’Bannon, Brian Narelle, Dre Pahich, Cal Kuniholm. USA, 1974. Budget: $60,000. IMDb: 6.7. My rating: 3.5/4. Odd science fiction space comedy.

– Now, Bomb, consider this next question very carefully… What is your purpose in life?
– To explode, of course.
– And you can do it only once, right?
(Doolitle convinces the bomb not to explode)

– All right, Bomb… prepare to receive new orders.
– You are false data. Therefore, I should ignore you.
(Doolitle convinces the bomb not to explode)

I must confess – I have never really liked John Carpenter. And I barely enjoy horror movies (with some notable exceptions like “The Shining”). I watched “Halloween” recently and enjoyed it at times, but if we forget for a moment its heritage, I find this cult slasher pretty mediocre. While admitting Carpenter’s immense influence, I’ve always seen most of his films made with little creativity, without that special sparkle that would lighten up everything. He is too technical in his approach, like an artisan, not an artist, who is methodically repeating similar feel and techniques in different movies. Note: I didn’t watch “Halloween”, “Escape from New York” or “The Thing” when they were released – movies that I don’t find bad, but just… pretty average in everything and with superficial characters? I’ve always felt Carpenter cares most about showing what happens to his characters, but not really the characters themselves.

But “Dark Star”, Carpenter’s and O’Bannon debut movie, made me change my mind about him. This little space comedy is like a fireworks show that you setup by yourself on a New Year’s Eve in the backyard. It’s an extravagant parody on space movies and “2001: A Space Odyssey” in particular. Fresh, well-crafted, wry and weirdly funny. (more…)

Dead Man’s Letters

dead mans lettersDirector: Konstantin Lopushanky. Starring: Rolan Bykov, Iosif Rykliv, Viktor Mihaylov. USSR, 1986. IMDb: 7.7. My rating: 4/4. Post-apocalyptic portrait of mankind’s last days.

– The whole history of mankind is a history of a slow suicide of a living matter that by sheer accident acquired an ability to think – but that did not know what to do with this fateful ability. It could not find any better use for it than invention of the most effective ways of a total suicide.
(of of the main characters)

Endless piles of rusty metal, interminable yellow twilight, dirty radioactive puddles of mixed water and blood. And dead bodies. Dead bodies everywhere. Children, men, women. Everywhere. There is no hope here. It’s finished. There is no ”if”. The doomsday clock has moved. We are just witnessing the final decay of small group of survivors that will last several months, probably. There is not even a single hint about their survival. It’s a death rattle.

And imagine shot all of this in a Tarkovsky-like manner – the director Konstantin Lopushansky actually worked as assistant during ”Stalker” filming.

Perestroika was a crucial time for Soviet cinema as well. More and more things became allowed – the censorship started to close eyes on occasional nudity, violence, absurdism – things that were all cut ruthlessly before 1985. ”Dead Man’s Letters” and ”City Zero”, probably best examples of Perestroika cinema in the sci-fi genre, are the result and the reflection of that weird epoch, and it would be difficult to imagine them elsewhere. (more…)

Mimic

mimicDirector: Guillermo del Toro. Starring: Mira Sorvino, Jeremy Northam, F. Murray Abraham, Giancarlo Giannini. USA, 1997. Budget: $30 million. IMDb: 5.9. My rating: 3/4. Gothic gloomy tale about giant bugs vs humans with incredible visuals.

– How come you love bugs so much?
– These guys were building castles while dinosaurs were still wimpy little lizards.
(Mira Sorvino’s character about her passion)

I must confess that I approached “Mimic” with some kind of suspicion. I adore Guillermo del Toro. He is an incredible artist with unique visual style, but being just his second feature film (“Cronos” was the first one and it had good critical success, by the way), I had a doubt that it wasn’t already that Guillermo del Toro we all know and love. It’s also his lowest rated movie on IMDb. Damn, I couldn’t have been more wrong. A thousand apologies. Darkness blended with acid colours, gothic gloom in Victorian style, church-like sewers, unborn creatures, gore and blood. Pure joy for the heart. (more…)