Director: Ben Wheatley. With: Tom Hiddleston, Jeremy Irons, Siena Miller, Luke Evans, Elisabeth Moss. UK, 2015. IMDB: 5.7. My rating: 2/4. Psychodelic decadence kaleidoscope of a class conflict in one building.
– You know, Toby, when I was your age, I was always covered in something. Mud, jam, failure…
(one of the main characters)
“High-Rise” is based on the 1975 novel of the same name of J. G. Ballard. So maybe some of you have some idea of what to expect. I didn’t. The story is about a luxury tower building projected by a talented architect Royal (wonderful Jeremy Irons). It is fully functional and has everything necessary for its inhabitants, even a gym and a supermarket. A young psychologist (Tom Hiddleston with a very aristocratically sad face) has just moved in. However, soon the tension starts to rise between common families living on lower floors and an elite class living higher.
It is an extremely cold-blooded movie. With all the atrocity, sex and schizophrenia that we see, it leaves however no place for the compassion. There is too much of everything – too many characters that change each other too quickly, too much craziness that may appeal first but then falls into a self-repeating decay, too many straight-forward metaphores (for example, the surname of most important person in the tower is Royal). It starts pretty intriguing but soon, just as during the scene where Hiddleston’s character with no emotions is operating on a human skull in his laboratory, the director Ben Whitley tries to use same cold approach on the novel’s metaphore about capitalism and social classes. From being just hectic and nervous, the movie becomes simply shizophrenic with the feeling of “let’s see what’s inside of this skull”. There’s some good satire and irony here, but it’s spread for almost 2 hours that feel infinitely long.